Television

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In Severance, technology allows the employees of Lumon Industries to split into two versions of themselves: one that lives outside of work and another that exists solely in the office — the “outies” and the “innies.” The sci-fi thriller takes off when the innies begin to question their reality: What are they really doing? What are their outie versions like? In other words, they start to become self-aware.

After a first season that posed a wealth of intriguing questions and captivated audiences with its striking visual style, the second installment shifts the focus to the characters and their emotions — especially the innies, who have been given the fewest answers.

“It was important to us that the characters started to feel more human, because this is the story of them discovering their humanity. Part of the fun of the first season was that these characters were almost a sketch, a facsimile of the human experience. But this season, they start to wonder, ‘Who am I outside of here? Who would I be if I didn’t live in here?‘” explained Erickson in a video interview with EL PAÍS a few days after the second season finale aired.

Watched it with my wife over the weekend, and had some thoughts. First, the acting is exceptional throughout. Seriously, I don’t think there was a weak performance from anyone. Second, the cinematography was clever, but I’m not sure it was anything more than that. Shooting each episode as a oner brings some limitations with what you can do plot-wise. This brings me to my third thought: I think they missed an episode. Each of the 4 episodes focuses on one person or small group of people, but there isn’t really an episode that focuses on the boy and the victim before the “incident.”

'House of the Dragon' showrunner Ryan Condal say it is disappointing that George R.R Martin publicly disagreed with changes the HBO series made.