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It can certainly seem that way sometimes. Shows like The Handmaid's Tale have been circling the drain of their own premise for a few years now. A big part of it, I think, is that they want to keep their main cast for as long as possible, which limits the options of what can happen.
Give me a mini-series, or even an anthology series, any day.
I love the limited scope of British TV series. They even managed to do only a few seasons of Law & Order, for crying out loud.
It’s not a creative or artistic choice; British channels simply have minuscule budgets compared to their American counterparts.
And yet it often leads to more satisfying narratives.
Look at Black Mirror. The British seasons are some of the best TV ever made. The American (Netflix) seasons have often been meh or downright awful, and derivative of the original seasons.
I think it's for the best. Too much money in the US is spent on bullshit.
In any case, US versions of British series are almost certainly worse.
Sherlock proves it. It was given too much budget and time and what we got was overproduced bullshit.
Couldn’t agree more. The final season was such nonsense it soured the whole show and I’ve never bothered to watch it through again (ignoring the incessant “tell not show” with being told how brilliant Sherlock is but never really showing that, and how the mysteries were never deductible by the audience).