this post was submitted on 10 Aug 2025
811 points (98.6% liked)
Comic Strips
18656 readers
2438 users here now
Comic Strips is a community for those who love comic stories.
The rules are simple:
- The post can be a single image, an image gallery, or a link to a specific comic hosted on another site (the author's website, for instance).
- The comic must be a complete story.
- If it is an external link, it must be to a specific story, not to the root of the site.
- You may post comics from others or your own.
- If you are posting a comic of your own, a maximum of one per week is allowed (I know, your comics are great, but this rule helps avoid spam).
- The comic can be in any language, but if it's not in English, OP must include an English translation in the post's 'body' field (note: you don't need to select a specific language when posting a comic).
- Politeness.
- AI-generated comics aren't allowed.
- Adult content is not allowed. This community aims to be fun for people of all ages.
Web of links
- !linuxmemes@lemmy.world: "I use Arch btw"
- !memes@lemmy.world: memes (you don't say!)
founded 2 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
"It's called dynamic range, you philistines!" quoth the audio engineer who hasn't consumed his own work on consumer-grade hardware since his early teens.
What I hate most about this attitude is a disregard for the fundamentals that make a film hold up over time: the story/plot/world building, way, way, way more than the graphics or other bells and whistles.
Sound design and graphics are very important, but if you're sacrificing dialogue for the vast majority of watchers, for you to have a wank over dynamic range, then you don't have your priorities straight.
They really ought to release multiple audio mixes. This is really getting annoying, and if wanting to hear dialogue is wrong, I don't wanna be right.
Preach, brother. I don't get the fetish with aiming for 'natural' dynamic range in a movie in the first place. I need these people to explain to me why reproducing the relative sound pressure of a fucking explosion relative to normal speaking volume is somehow desirable to me.