CineShots

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CineShots

More cinematic shots, less Reddit and mod arbitrariness. This community is for cineasts, who appreciate some great shots and movie scenes.

Perhaps these captivating CineShots will inspire fellow community members, whether they seek to revisit a beloved film, draw inspiration for their own cinematic or photographic creations, or even explore the world of photography.


Please use the following title formatting, when posting:


No other rules or restrictions, only simple guidelines and common sense

To ensure a positive and enjoyable experience for everyone, I have established a few simple guidelines to follow:

Authenticity: Please only share screenshots that you have personally captured from movies you were watching. This helps maintain the integrity of the content within our community.

Common Sense: Use your best judgment when sharing screenshots. I encourage you to be respectful and considerate of others, while keeping the discussion relevant and engaging.

These guidelines are designed to foster a supportive and inclusive environment where movie enthusiasts can connect and share their experiences. Let's believe in the power of constructive dialogue and value the diversity of opinions within this community!

General Code of Conduct applies to this community too:

Have a good time!


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founded 1 year ago
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"Manifesto" has no plot, and the only thing tying the ~dozen scenes together is Cate Blanchett. Her monologues range from common hippie platitudes to batshit insanery, and she moves deftly between the dozen starkly different characters. There's some beautiful cinematography, but the show is stolen by Blanchett's incredible performances.

Highly recommended for folks that like "artsy" movies with no plot, or anyone who needs 90 minutes of solid Cate Blanchett.

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~45 minutes in. This brief little moment with Leatherface might be my favorite scene in the movie. The way he lumbers to the window, glances anxiously outside, and puts his head in his hands... without a word we see a glimpse of his humanity. Is Leatherface a psychotic murderer, taking joy in killing these teens? Or is he the homemaker, protecting his family's property from these strangers who barged in? What's actually going on in his head?

Love this flick.

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In a Kafkaesque setting, John Murdoch, an amnesiac man who, finding himself suspected of murder, attempts to discover his true identity and clear his name while on the run from the police and a mysterious group known as the "Strangers".

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I'm longing for the country that doesn't exist, because what does, I'm tired of desiring.

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Not something that I watch on regular base, but a Sunday's cinematic guilty pleasure (also applies for movies with Tati). Also, it connects me to my childhood, growing up with Louis de Funès movies.

Do you have those kinds of "guilty pleasure" movies or feel well movies?

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In Paris the beautiful divorcée Rosalie spends time with César, a coarse but good-hearted scrap merchant. At a wedding she sees her first love David, a shy graphic artist. Despite the efforts of César to stifle the renewed relationship, David and Rosalie run away to Sète on the Mediterranean. Distraught at being abandoned, César tracks them down and offers Rosalie her family's old holiday home on the island of Noirmoutier in the Atlantic, which he has bought. She accepts and all her family come to spend the summer there, but she falls into depression.

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The film follows a small group of Resistance fighters as they move between safe houses, work with the Allied militaries, kill informers, and attempt to evade the capture and execution that they know is their most likely fate. While portraying its characters as heroic, the film presents a bleak, unromantic view of the Resistance.

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I don't necessarily recommend this movie, but it did have some stunning visuals. I wish I could've given you more pixels.

This movie was strange. I saw it in the theater and when the end credits started rolling, someone behind me said, "What the fuck did I just watch?"

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