this post was submitted on 12 Jun 2024
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[–] WatDabney@sopuli.xyz 17 points 5 months ago* (last edited 5 months ago) (18 children)

Funny thing:

The idea that protesting the slaughter of Palestinians equals antisemitism requires starting from the position that slaughtering Palestinians is a fundamental part of the Jewish identity.

There's really no alternative way to interpret that. If slaughtering Palestinians is not a fundamental part of the Jewish identity, then protesting such slaughter has nothing to do with Judaism, and thus cannot be antisemitic. It'd be like trying to claim that protesting cars is anti-Amish.

So all these people quoted here are essentially saying that slaughtering Palestinians is not just fundamental to being Jewish, but so deeply and uniquely fundamental - so much a part of Jewishness - that opposing such slaughter automatically equals opposing Jews.

Doesn't that sound sort of... antisemitic?

[–] NOT_RICK@lemmy.world 3 points 5 months ago* (last edited 5 months ago) (3 children)

I’m not sure how hosting an art exhibit commemorating the deaths of people murdered by Hamas on October 7th automatically makes the board members Zionists endorsing the persecution of Palestinians. Perhaps there is some context this article doesn’t touch on

[–] WatDabney@sopuli.xyz 10 points 5 months ago

Perhaps there is some context this article doesn’t touch on

There is.

This is the most concise and complete summation I could find of the (early) history of the protests against Brooklyn Museum and Anne Pasternak.

https://news.artnet.com/art-world/anne-pasternak-brooklyn-museum-interview-part-2-1409434

Note too that there's another controversy - regarding the hiring of a white curator for African art - that likely provides the context for the "white supremacist" part of the graffito.

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