this post was submitted on 06 Dec 2024
1670 points (99.2% liked)

Technology

60112 readers
2333 users here now

This is a most excellent place for technology news and articles.


Our Rules


  1. Follow the lemmy.world rules.
  2. Only tech related content.
  3. Be excellent to each another!
  4. Mod approved content bots can post up to 10 articles per day.
  5. Threads asking for personal tech support may be deleted.
  6. Politics threads may be removed.
  7. No memes allowed as posts, OK to post as comments.
  8. Only approved bots from the list below, to ask if your bot can be added please contact us.
  9. Check for duplicates before posting, duplicates may be removed

Approved Bots


founded 2 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
[–] Rubisco@slrpnk.net 22 points 2 weeks ago (1 children)

TIL. Thank you!

but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece).

https://en.wikipedia.org/wiki/Krzysztof_Penderecki

[–] ylph@lemmy.world 9 points 2 weeks ago (1 children)

The Threnody is definitely his most famous, but he has used that technique in some of his solo compositions for cello as well - example

[–] Rubisco@slrpnk.net 8 points 2 weeks ago

Oh WOW!
That's...something else entirely.
So violent! Yet also subtle and quiet.
Yields immediate visceral reactions.
The entire instrument is so thoroughly explored.
How does one remember such a piece?
Or keep the original bow and strings to the end?
Striking. Marvelous. Beautiful. I'm all for it.

An amendment of something conjured by it:

It's not safe out here. It's wonderous; with ~~treasures~~ vibrations to satiate desires both subtle and gross, but it's not for the timid.