this post was submitted on 16 Jun 2025
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It's an ungodly amount of trouble to make an additive synth work like an FM synth and neither of those can accomplish what a wavetable synth does without even more work so I really have to disagree. Vital is great, but it would take way too long to make it do what Arturias Vocoder V does for example, or even at that, as easy to use for that specific purpose.
Technically you are correct, but I would rather spend my time making music instead of spending hundreds or thousands of hours setting up automations and almost unnoticeable tweaks to make each effect and each instrument work in a way I want them to (like if I want a specific sound of known instruments).
Like, I could make a full song with several "instruments" using one sample of a spoon falling off of a table too, and that's neat, but it's also not what I want to be doing. If I wanted this involved of a workflow, I would probably be making my music in a tracker or on a physical, fully modular synthesizer.
Inspirations come a lot easier when you have many synths with many presets in my experience, and tweaking a lot of their parameters for the sounds they make are usually simple if you are using the actual thing you want instead of something else.
Furthermore, most of Arturias V collection are emulations of the real physical hardware, and this is why I like them. I could use vital to try to emulate a Juno-106 with degraded voice chips, but the Arturia Juno emulation lets you do this with 2 clicks.
Anyway, I know what you are trying to say, but it is not what I am looking for most of the time. For stuff like that I play around with my Roland P-6 and Korg Monotrons.
Thanks.