this post was submitted on 24 May 2024
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TenForward: Where Every Vulcan Knows Your Name

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top 16 comments
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[–] Kolanaki@yiffit.net 25 points 5 months ago (1 children)

Guys always exaggerate how big they are.

[–] ummthatguy@lemmy.world 19 points 5 months ago* (last edited 5 months ago) (1 children)

Pfft, next you're gonna tell me that Data wasn't "fully functional."

[–] Arbiter@lemmy.world 17 points 5 months ago (2 children)

No, they really did disassemble Brett Spiner.

[–] ummthatguy@lemmy.world 20 points 5 months ago (1 children)
[–] TotallyNotSpez@lemm.ee 7 points 5 months ago (1 children)

Now that's a movie I haven't watched in ages. Thanks for the nostalgia trip. ^^

[–] ummthatguy@lemmy.world 8 points 5 months ago* (last edited 5 months ago) (2 children)

No problemo. And just for fun, bear in mind that the "Indian scientist" Ben

is also Koopa's Nephew Iggy in the Super Mario Bros Movie (1993)

and the nefarious Belford from Hackers (1995)

[–] FlyingSquid@lemmy.world 3 points 5 months ago

For what it's worth, Fisher Stevens says he regrets playing the role in brownface and has apologized for it. Personally, I enjoyed him in the show Early Edition.

[–] TotallyNotSpez@lemm.ee 3 points 5 months ago

Oh. My. God. I need to wrap my head around this.

[–] EmpathicVagrant@lemmy.world 4 points 5 months ago

Yep! The one you see standing in that pic is just a wax replica, it’s pretty impressive that they got him reassembled to still be in that episode.

[–] elliot_crane@lemmy.world 10 points 5 months ago (1 children)

I always find behind the scenes stuff really cool, but I think my brain isn’t creative enough to understand how this works. Can anyone smarter at cinematography explain to me what’s going on here?

[–] criitz@reddthat.com 8 points 5 months ago (1 children)

I think in this case they just bluescreened him in

[–] elliot_crane@lemmy.world 3 points 5 months ago

Ah interesting.. I didn’t think that chroma keying was widely available or cheap enough in the late 60s.

[–] Son_of_dad@lemmy.world 5 points 5 months ago (2 children)

In the old days, did they not have a way to give the images more or less contrast to match each other? I can always tell rotoscoping because the images always have a different contrast

[–] Tar_alcaran@sh.itjust.works 14 points 5 months ago* (last edited 5 months ago)

Rotoscoping the when they draw over film. It's a way to add special effects to live action, or the make animation.

This is a different technique, chroma-key compositing (blue screen back then, green screen now). One of the downsides of the technique is that it does much better when you really light up the foreground object to create contrast with the blue screen. And that tends to cause weird effects compared to the background (because you have to light them from the side). And you obviously can't light up the background film like that because it's 1967 and you'd have to borrow a dozen aircraft spotlights to do it.

[–] tjsauce@lemmy.world 4 points 5 months ago

They could adjust relative brightness, but that could raise the black level. Adjustments were crude, and the color correction had to be planned based on the film stock and lighting.

[–] Evil_Shrubbery@lemm.ee 4 points 5 months ago

No, he was twice as tall, but with a normal sized pp.