this post was submitted on 03 Aug 2023
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LoglineAn accident with an experimental quantum probability field causes everyone on the USS Enterprise to break uncontrollably into song, but the real danger is that the field is expanding and beginning to impact other ships—allies and enemies alike.


Written by Dana Horgan & Bill Wolkoff

Directed by Dermott Downs

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[–] Stormygeddon@startrek.website 2 points 1 year ago (1 children)

I found it peculiar how the Klingons were saying there was no honor in the singing—considering how into Opera the can be known to be—up until I heard how they got the most egregious of the autotune.

[–] buckykat@lemmy.blahaj.zone 1 points 1 year ago

To sing does not dishonor a Klingon, but to be forced to sing by something the Federation set off, that dishonors a Klingon.

[–] jaelisp@lemmy.blahaj.zone 2 points 1 year ago (1 children)

Another amazing episode and a certainly fresh idea for the Klingons with their K-pop, or Kling-pop?

I think they towed a good line on whimsy, emotion and gimmicks and kept it well grounded as character exploration. Let's force everyone to process their season's emotional growth in song!

Also I have to say I love how much focus SNW gives to lower ranking officers. Classic trek always ended up focusing on a few senior officers but this is a proper ensemble number.

Only thing I want more now is this with Elle Cordova doing her Star Trek technoblabble songs in it.

[–] barsoap@lemm.ee 1 points 1 year ago* (last edited 1 year ago)
[–] RHTeebs@startrek.website 2 points 1 year ago

That Klingon Boy Band was hilarious. The pause was just perfect.

[–] lonlazarus@lemmy.sdf.org 2 points 1 year ago

So, the time has finally come. I want to mention that I'm not a huge fan of musicals, this translates to that tend to only watch them if external circumstances push me to watch one and I only enjoy if they're really well done. Well, circumstances have pushed me, and... it was meh.

I thought the songs weren't particularly memorable, the productions were a bit underwhelming and the dancing nearly non-existent.

[–] erbazzone@startrek.website 2 points 1 year ago* (last edited 1 year ago)

Ok, a post from someone that really hate musicals and was worried about this episode. So sorry if I will over criticize the episode...

I admit the episode was so fun at the beginning and songs were nice, loved La'an and Una parts they were really good. I was thinking the episode was a banger. I loved so much the opera opening too.

Unlikely it started to lose my attention around on Chapel's song (also because the autotune was so evident in her and I found the Chapel Spock relationship the worst part of the series) and the second part was a little hard for me to follow, the music too was less interesting and even if Uhura has a great voice her solo song was too long and def not my cup of tea, I didn't even understand what was trying to say. It could have worked for me with less songs.

It was interesting I have fun for more than I thought and I laughed so much with Klingons, it was often close to clinginess but it was ok at the end.

[–] End0fLine@startrek.website 2 points 1 year ago* (last edited 1 year ago) (1 children)

Only a minor part of the episode but I enjoyed that the intro was done with mostly vocals instead of the usual. I was absolutely not expecting a different intro after we got one with the Lower Decks crossover.

[–] StillPaisleyCat@startrek.website 1 points 1 year ago (1 children)

And different music for the end credits as well!

[–] End0fLine@startrek.website 1 points 1 year ago

Well now I feel kind of silly because I turned it off before it got there I guess.... I'll catch it on my rewatch.

[–] GuyFleegman@startrek.website 2 points 1 year ago (1 children)

What a lovely episode.

I saw a fair amount of skepticism across the Fediverse about how musical episodes are always bad and annoying, to which someone would always respond "well, Buffy nailed it." Apparently the SNW writers feel the same way, because "Subspace Rhapsody" isn't just a homage to "Once More With Feeling," it's a love letter. They may have swapped the demon for a subspace wedgie, but they kept the idea of using music to force the characters to confront their feelings about each other, and they even threw in a bunny callback.

10/10. I hope SNW maintains the tradition of a theatrically silly episode near the end of each season as long as it runs!

[–] Disgustoid@startrek.website 2 points 1 year ago

I was fully expecting Pike to say something along the lines of "you mean we have to sing once more, with feeling?" as a not-so-subtle nod to Buffy.

[–] khaosworks@startrek.website 2 points 1 year ago (2 children)

One day they’ll do a proper adaptation of “How Much For Just the Planet?” and I can die happy.

[–] shenandoah@sh.itjust.works 1 points 1 year ago

Yes! That would work incredibly well with the SNW crew! Writers, please do that! I love that book!

[–] Prouvaire@kbin.social 1 points 1 year ago (1 children)

Is there somewhere a list of the songs that Ford was parodying in How Much For Just The Planet? Even though I'm a huge musical theatre nerd, I didn't get some of the references in the book and it always bugged me.

(And speaking of John M Ford: Personally I still regret that the Klingon culture that the franchise developed through TNG and subsequent shows differed so much from the one Ford created in The Final Reflection.)

[–] khaosworks@startrek.website 2 points 1 year ago

It’s a puzzle that has confounded readers for years. There are some obvious ones like “Rawhide”, but a lot are still unidentified. Here’s a good attempt at it.

[–] 1stTime4MeInMCU@mander.xyz 2 points 1 year ago

La'an definitely becoming one of my favorite characters, which is surprising because she was middle of the pack in S1.

[–] StillPaisleyCat@startrek.website 1 points 1 year ago (2 children)

I loved the episode. I’m not a huge fan of American musical theatre, but this really worked for me and my partner.

The tone was just right and the songs were well matched to the skills and characters. It’s delightful.

It was also really nice to come to this community and soak up all the positivity. I really needed a place to come like this after watching episodes. As we see it a bit later on CTV Sci-fi Channel in Canada, I can often feel blasted with fan backlash when I check out people’s views after watching.

Yes, there are a few folks here for whom this isn’t there kind of thing, and they are letting us know. We’ve not however seeing brigading negativity that is cropping up on some other social media. I can appreciate that some want their Trek more dignified and serious, but the ‘worst thing ever’ hyperbole is a bit hard to take when Threshold and Code of Honor exist.

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[–] hivemind@startrek.website 1 points 1 year ago

SNW playing with the format we all know and love continues to pay off.

Trek has a very, very long history of the space anomaly of the week causing hijinks to ensue. And these hijinks were epic. Especially considering the sheer amount of raw broadway-class talent SNW has.

And the foreshadowing with the drinking-song-belting, sea-shanty-and-opera-loving Klingons getting pissed off about the "we have to sing everything" bit was hilarious (and Pike's "WTF" face was the icing!)

I know it's a one-shot, but bloody brilliant.

[–] Mezentine@startrek.website 1 points 1 year ago

What an absolute gosh darned delight that was. I love musicals but I tend to be pretty cynical about musical episode of TV shows, but I think that's probably the best one I've ever seen? It helps that a. its still a coherent episode with a plot about the musical itself, b. its effectively paying off three or four different emotional character arcs we've already spent a lot of time with and c. the music is actually really well written both lyrically and compositionally

What. The. Heck. Just. Happened. I always hated musicals but this was incredible! This show is KILLING it. OMG

[–] lxskllr@mastodon.world 1 points 1 year ago

@ValueSubtracted

Pretty silly episode. I'm not a fan of musicals, and I was dubious going in, but it was fun. They managed to make it as good as a musical could be for my tastes. I'm happy it was made, and I'm happy to have seen it. That's about the highest praise I could give for something like this.

[–] Cynoid@lemm.ee 1 points 1 year ago

So, I'm a good public for this I suppose, since I loved Mamma Mia, and am a real fan of rock/metal operas. And I think this episode is... surprisingly decent?

I mean, the singing was surprisingly good, even with autotune (I mean, if you ever want to hear a real musical disaster, try Pierce Brosnan in Mamma Mia ; everyone here is pretty much excellent compared to that), so kudos to crew. The music was uneven : some parts were quite bland/uninspired, but I very much loved the common theme of "I'm ready"(catchy!)/"I'm the X"(lovely!) and the two widely different feelings.

On the plot side, you can feel they are trying very hard to brush over how nonsensical this musical thing is. And, somehow, I'm glad that not much progress happens here : you can summarize what happens as "La'an tell Kirk about the time-travel event, Spock gets dumped for a study program, Pike have a minor fight. And musical subspace shenanigans.", which will sure come in handy if you're allergic to musicals and (re-)watch the series.

But yeah, it was fun. The "La'an cut the captains couple argument in the middle of signing", and the boys-band/K-pop klingon were unexpected.


Overall, I think this episode somewhat suffer the comparison with the Lower Deck crossover. The s02e07 was a real Star trek story : if Lower Deck wasn't a thing, "These old scientists" would still be a decent story, it's the meta element which push it into the land of deep sillyness (even when, like me, you don't really like Lower Decks). "Subspace rhapsody" is... a musical. It's good fun! But I was hoping for a bit more.

[–] JWBananas@startrek.website 1 points 1 year ago

🎵 They got the ~~mustard~~ uncertainty out! 🎵

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