StillPaisleyCat

joined 2 years ago

I’m down for this one.

The link has just gone to my partner for upcoming gift occasions 😉.

[–] StillPaisleyCat@startrek.website 2 points 1 week ago* (last edited 1 week ago) (1 children)

Getting into the panels / speaker sessions was always my top priority.

Sometimes they have sessions with production or other behind the scenes creatives. Those are always amazing.

The vendor hall is always worth checking out and it’s fun to mill about and see the cosplayers.

Depending on whether you like that sort of thing or not, paying to meet and get a photo with a cast member or to get an autograph (usually two separate things) is a popular activity.

[–] StillPaisleyCat@startrek.website 4 points 1 week ago (3 children)

While I won’t be travelling to the US anytime soon, I think it’s great that Creation is getting back into regional cons.

I used to attend them in the late 80s and early 90s and they were a great entry point for newer fans and those who didn’t want the mass experience of something like STLV.

I think that they do more to build a franchise for the long haul than the megacons.

 

cross-posted from: https://startrek.website/post/38527959

Last Thursday, the Tokyo District Court ruled that 39-year-old Wataru Takeuchi was guilty of violating Japanese law that prohibits the creation of “a new work by making creative modifications to the original while preserving its essential characteristics.” Takeuchi worked as administrator of a website that published lengthy, spoiler-heavy descriptions from popular movies and series. And two of Takeuchi’s “articles” — one about Godzilla Minus One and another focused on the Overlord anime adaptation — prompted Toho (owner of the Godzilla) and Kadokawa Shoten (the publisher behind Overlord) to file joint lawsuits through the Content Overseas Distribution Association (CODA).

That makes sense!

Definitely there was local control over availability. I recall shopping for gifts and seeing walls of SW toys but no Trek in Ottawa.

[–] StillPaisleyCat@startrek.website 2 points 2 weeks ago (2 children)

Even in Canada, I don’t recall that they had wide distribution. They were also marked up quite a bit from the US price (well beyond the exchange rate). I saw them mainly in specialty stores, not Toys R US and department stores.

[–] StillPaisleyCat@startrek.website 2 points 2 weeks ago (4 children)

That was a very time limited counter example, and were largely unavailable outside the US.

And it may be a really important factor in explaining the loyalty of millennial guys in the US to the franchise vs other demographics and countries.

[–] StillPaisleyCat@startrek.website 5 points 2 weeks ago (1 children)

Class sizes are up and supports are down.

Now attendance requirements for grades are being instituted.

It doesn’t occur to the government to enquire about why students are avoiding or refusing school attendance.

[–] StillPaisleyCat@startrek.website 11 points 2 weeks ago (6 children)

It looks like a 1970s toy. . . Which makes sense given who their target market is.

I would take it as another sign that the franchise has aged out were it not for the fact that it’s always had awful merchandising and licensing.

 

cross-posted from: https://startrek.website/post/38193355

The THR article has details but no link to the actual teaser-trailer.

There are unconfirmed reports on YouTube that the official first teaser-trailer should be posted within the next hour ~ 7pm EDT.

[–] StillPaisleyCat@startrek.website 16 points 2 weeks ago* (last edited 2 weeks ago) (1 children)

Let’s be frank that it was a male-gaze titillation to sell the show much like the frequency of ripped tunics and visible muscles were intended for women viewers. Both were introduced after the ‘more cerebral’ pilot of ‘The Cage.’

In any case, mini skirts were a fashion trend that constrained women and girls as much as ‘liberated’ them — Especially, as garters and stockings rather than pantyhose were the norm at the time. Looking at TOS now, I wonder if the show had to order specially made pantyhose or ultra fine tights.

While it was good for women and girls to be out of the 1950s tight-waisted skirts with crinolines so profound that they had to increase the spacing between lab benches and cooking class units (as was explained to me when I hit junior high), mini skirts meant that women and girls were constantly monitoring their exposure.

It’s no surprise that ‘pantsuits’ became an acceptable fashion option by 1970 and pantyhose rapidly replaced stockings.

There are industrial/cargo transporter platforms as well as industrial fabricator/replicators.

Perhaps only the ones in humanoid transport pads are set with the highest level defaults?

[–] StillPaisleyCat@startrek.website 11 points 2 weeks ago* (last edited 2 weeks ago) (3 children)

The averaging is the difference between a replicator and the absolute precision of a transporter.

The transporter has the level of precision and memory capacity to perfectly replicate real food.

The replicator is just a close approximation. It’s controlled for food safety and nutrition but the sense of smell and taste may be able to distinguish the food from a precise duplication.

Sadness is definitely why I’m feeling too.

Roddenberry had a vision of an international show in TOS, and his creation of an ethnically French captain for TNG.

Unfortunately, the franchise owners have never appreciated that and their focus on marketing first to the US market has kept the show and the movies from the global success they should have had.

With the Ellisons in charge, the franchise is likely to be all the more focused on the US without even the double-edged (often alienating) transparent American exceptionalism that has dogged the franchise.

 

The Artemis NASA

mission has a mascot named Rise — a stuffy that acts as a zero-G indicator.

At a certain angle, it’s face looks a lot like a favourite bone-drinking horror called Moopsy.

 

cross-posted from: https://startrek.website/post/37765690

This Salon feature from two weeks back provides a good overview of the 70+ year Godzilla franchise and its relevance to current audiences. There’s an analysis of where Monarch: Legacy of Monsters fits in the franchise’s themes.

Our relationship with Godzilla changes from movie to movie and age to age. Some films cast the King of the Monsters as a protector unconsciously joining humanity – and occasionally, King Kong – to fend off some mammoth existential evil. More often, he is a reckoning, reminding us of how puny we are in nature’s schemes...

…each springs from the same mutated DNA, mapping the source of Earth’s monster problems to mindless warfare, along with the intellectual vanity compelling man to seek an upper hand over nature instead of figuring out how to coexist.

Godzilla and the other Titans stampeding in his wake are post-World War II creations; Ishirō Honda, who directed the OG “Godzilla,” was a veteran of that war marked by his travel through the ruins of Hiroshima after the United States bombed its civilians and Nagasaki to force Japan’s surrender. The Geneva Conventions’ protocols made such acts illegal, but as we’re discovering with alarming frequency and force these days, laws are only as effective as our willingness to abide by them…

 

cross-posted from: https://startrek.website/post/37747635

cross-posted from: https://startrek.website/post/37747581

An interesting and thorough reflection on how the original Godzilla (1954) was adapted to make Godzilla: King of the Monsters (1956), with a framing story starring Raymond Burr, for the franchise’s introduction to American / English language audiences.

 

cross-posted from: https://startrek.website/post/37655947

Mastdon post on creator’s account.

Not available yet at gricklemart.com but, his earlier Godzilla ones are there.

 

cross-posted from: https://startrek.website/post/35903845

!monsterverse@startrek.website has been live for over a month. Please be welcome to join the discussion.

One of the oldest screen franchises now has a home on Lemmy!

Are you a Monsterverse fan? Or, perhaps just Monsterverse curious.

Whatever your degree of love for or interest in kaiju and all things Monsterverse, this community is intended to be a welcoming place in the fediverse for you.

Join us to discuss the new television franchise on AppleTV with Monarch: Legacy of Monsters and the spinoff Coldwar spy thriller prequel going into production this spring.

Or, share your thoughts about the more than 70 years of the movie franchise that started with Godzilla (1954).

 

The first change.org petition to Renew “Star Trek: Starfleet Academy” for a third season hit 30,000 signatures today, and is over 31,000 at the time of this post.

The one at the post link is the one launched from the UK with the regrettable, unofficial (likely AI) image. But it was up first and has been getting momentum.

There’s another one Renew Star Trek Starfleet Academy for a full season three, with the official key art poster that is about to break 5,000 signatures.

Between these two, Starfleet Academy now has more signatures than did Prodigy when Netflix picked up its second season.

Clearly this is causing consternation among some of those who have opposed the show from the outset. There are now opposing petitions Urge Paramount to shelve Star Trek: Starfleet Academy season two; Keep the Academy series permanently cancelled; and similar. None of these has significant traction.

 

cross-posted from: https://startrek.website/post/37528189

An interesting analysis of GvK’s place in the industry’s recovery as the COVID-19 pandemic emergency wound down sufficiently that theatres reopened.

Godzilla vs. Kong eventually earned $470 million worldwide, making it a true, unqualified success. It was the first sign that en masse moviegoing could still exist in whatever our new normal would look like.

 

The sigh from me is wondering why Andy Weir felt it necessary to use a platform like ‘criticaldrinker’ to go out of his way to trash recent Star Trek.

“They didn’t accept my pitch so, you know, fuck ‘em,” doesn’t really sell me on putting my dollars and eyeballs towards the success of his movie — no matter a great performance by Ryan Gosling or great production values.

Rather tells me why all Weir’s heros are lone-guy-saves-all-on-his-own tropes.

Quoting Weir in the interview:

Later, Marsden brought up the divisive Star Trek: Starfleet Academy, which Paramount+ recently confirmed will end after its already-shot second season.

“I think we can probably safely never talk about it again,” Marsden quipped. 

“It’s gone baby!” Weir cheerfully agreed. “It’s all gone.” 

Marsden said his advice to Paramount is to de-canonize everything Star Trek from Enterprise onward.

“Okay, you’re a little more severe than I am,” Weir said. “I’ll give you my opinion and I’m just a consumer. I like Strange New Worlds. I think it’s pretty good. I didn’t hate Enterprise. I thought it was kind of weird. Lower Decks I thought was entertaining and fun. All the others, they can go. And here’s another thing: I pitched a Star Trek show to Paramount and I was in Zoom with the showrunners with all the shows and spent a lot of time talking to [executive producer Alex Kurtzman]. I don’t like a lot of the new Trek. He, as a person, is a really nice guy. But at the same time, those shows are shit. He is a nice guy. But they didn’t accept my pitch so, you know, fuck ’em.”

 

cross-posted from: https://startrek.website/post/37146192

cross-posted from: https://startrek.website/post/37146040

While those of us who were already fans of the Monsterverse extended Godzilla universe continuity have been watching Monarch: Legacy of Monsters on AppleTV, it turns out that Amazon Prime has had a licence to stream it until March 31st.

Currently, the second season of this popular action epic is rolling out on Apple TV, but season 1 is one of the most-watched Prime Video shows on the planet at the moment. This brief stint on Prime Video will be short-lived, however, since the series will be removed from Prime Video less than 2 weeks on April 1, 2026. Don't miss your chance to binge this celebrated series before it's gone.

If you’re thinking of giving Monarch a try, and don’t have AppleTV, this may be a good opportunity.

 

cross-posted from: https://startrek.website/post/37077490

Whatever the actual weather may be where you are, this Blender creation by visual artist @toolbrowny (on YouTube) aka shanedioneda.com, may give you a spring experience.

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