JoeyJoeJoeJr

Saw the movie today. I concur with this astute review.

I would say there were maybe (maybe) 4 spots where it made sense to put music, and maybe 1 or 2 of those where the scene and music were done well (graded on a favorable curve). Then about 20-25 places they jammed bad music for what felt like no reason other than to slow down a movie that already wasn't going anywhere.

I just saw it today. Can confirm - it's bad. Bad enough I'm upset it exists, because it practically taints the first.

The plot is pretty weak, and to make it worse, sporadically there are flashes that make you think it's finally building towards something, and then it just fizzles.

With very few exceptions, the songs are bad both in terms of the music and the lyrics, and they slow the movie to a crawl.

Additionally, Lady Gaga's lip synching is shameful, especially considering she's most famous for music. Her performance is otherwise fine, but it feels like they could have put anyone in there. She didn't bring anything to the role.

Joaquin Phoenix's performance is pretty good, and the cinematography is good. But... Don't see it. Definitely don't pay for it. I wish I had my money and my time back.

I've personally lived in places where the closest convenience store was 2.25 km, and the grocery store was nearly 18km, as well as places where a convenience store was literally a part of my building, and grocery stores were walkable distances.

The U.S. is enormous and varied. Take a look at truesizeof and compare the U.S. and Europe (don't forget to add Alaska and Hawaii - they won't be included in the contiguous states). Consider how different London is from rural Romania.

This ignores the first part of my response - if I, as a legitimate user, might get caught up in one of these trees, either by mistakenly approving a bot, or approving a user who approves a bot, and I risk losing my account if this happens, what is my incentive to approve anyone?

Additionally, let's assume I'm a really dumb bot creator, and I keep all of my bots in the same tree. I don't bother to maintain a few legitimate accounts, and I don't bother to have random users approve some of the bots. If my entire tree gets nuked, it's still only a few weeks until I'm back at full force.

With a very slightly smarter bot creator, you also won't have a nice tree:

As a new user looking for an approver, how do I know I'm not requesting (or otherwise getting) approved by a bot? To appear legitimate, they would be incentivized to approve legitimate users, in addition to bots.

A reasonably intelligent bot creator would have several accounts they directly control and use legitimately (this keeps their foot in the door), would mix reaching out to random users for approval with having bots approve bots, and would approve legitimate users in addition to bots. The tree ends up as much more of a tangled graph.

This ignores the first part of my response - if I, as a legitimate user, might get caught up in one of these trees, either by mistakenly approving a bot, or approving a user who approves a bot, and I risk losing my account if this happens, what is my incentive to approve anyone?

Additionally, let's assume I'm a really dumb bot creator, and I keep all of my bots in the same tree. I don't bother to maintain a few legitimate accounts, and I don't bother to have random users approve some of the bots. If my entire tree gets nuked, it's still only a few weeks until I'm back at full force.

With a very slightly smarter bot creator, you also won't have a nice tree:

As a new user looking for an approver, how do I know I'm not requesting (or otherwise getting) approved by a bot? To appear legitimate, they would be incentivized to approve legitimate users, in addition to bots.

A reasonably intelligent bot creator would have several accounts they directly control and use legitimately (this keeps their foot in the door), would mix reaching out to random users for approval with having bots approve bots, and would approve legitimate users in addition to bots. The tree ends up as much more of a tangled graph.

I think this would be too limiting for humans, and not effective for bots.

As a human, unless you know the person in real life, what's the incentive to approve them, if there's a chance you could be banned for their bad behavior?

As a bot creator, you can still achieve exponential growth - every time you create a new bot, you have a new approver, so you go from 1 -> 2 -> 4 -> 8. Even if, on average, you had to wait a week between approvals, in 25 weeks (less that half a year), you could have over 33 million accounts. Even if you play it safe, and don't generate/approve the maximal accounts every week, you'd still have hundreds of thousands to millions in a matter of weeks.

If your drive is the bottleneck, this will make things worse. If you want to proceed:

You're already using ffmpeg to get the sequence of frames, correct? You can add the -ss and -t flags to give a start time and a duration. Generate a list of offsets by dividing the length of video by the number of processes you want, and feed them through gnu parallel to your ffmpeg command.

My first thought was similar - there might be some hardware acceleration happening for the jpgs that isn't for the other formats, resulting in a CPU bottleneck. A modern harddrive over USB3.0 should be capable of hundreds of megabits to several gigabits per second. It seems unlikely that's your bottleneck (though you can feel free to share stats and correct the assumption if this is incorrect - if your pngs are in the 40 megabyte range, your 3.5 per second would be pretty taxing).

If you are seeing only 1 CPU core at 100%, perhaps you could split the video clip, and process multiple clips in parallel?

If your computer is compromised to the point someone can read the key, read words 2-5 again.

This is FUD. Even if Signal encrypted the local data, at the point someone can run a process on your system, there's nothing to stop the attacker from adding a modified version of the Signal app, updating your path, shortcuts, etc to point to the malicious version, and waiting for you to supply the pin/password. They can siphon the data off then.

Anyone with actual need for concern should probably only be using their phone anyway, because it cuts your attack surface by half (more than half if you have multiple computers), and you can expect to be in possession/control of your phone at all times, vs a computer that is often left unattended.

"Desktop publishing" is the category of software you want. I've not used it, but I believe Scribus is the standard FOSS tool for this. If you want a simple graphical way to make your album, this is the way.

Many people have metnioned LaTex - I would not recommend it for this purpose. LaTex, while powerful, will have a steep learning curve, and isn't really made for artistic tasks - its purpose is for writing technical papers. From literally the first two sentences on the project site:

LaTeX is a high-quality typesetting system; it includes features designed for the production of technical and scientific documentation. LaTeX is the de facto standard for the communication and publication of scientific documents.

It's probably possible to make a beautiful photo album with LaTex, but without a lot of work, it's more likely to come out looking like a calculator manual.

I think it is less a question of whether the voice sounds like Scarlett Johansson, as that is subjective and arbitrary (e.g. assume you could objectively measure the similarity, what's the acceptable cut off - 80%? 90%?). The same is true for the uniqueness of her voice.

I think the real question will come down to intention. They clearly wanted her voice. Did they intentionally attempt to replicate it when they couldn't have the real thing? If so, there is precedent that would suggest they could be in a little trouble here, e.g. https://www.latimes.com/archives/la-xpm-1990-05-09-me-238-story.html

This kind of reminds me of Crispin Glover, from Back to the Future. He tried to negotiate a higher pay for the second movie, so the producers hired a different actor to play the role, but deliberately made the actor up to look like Glover. In response, Glover sued the producers and won. It set a critical precedent for Hollywood, about using someone's likeness without consent.

The article mentions they reached out to her two days before the launch - if she had said 'OK,' there's no way they could have even recorded what they needed from her, let alone trained the model in time for the presentation. So they must have had a Scarlett Johansson voice ready to go. Other than training the model on movies (really not ideal for a high quality voice model), how would they have gotten the recordings they needed?

If they hired a "random" voice actress, they might not run into issues. But if at any point they had a job listing, a discussion with a talent manager, or anything else where they mentioned wanting a "Scarlett Johansson sound-alike," they might have dug themselves a nice hole here.

Specifically regarding your question about hiring a voice actor that sounds like someone else - this is commonly done to replace people for cartoons. I don't think it's an issue if you are playing a character. But if you deliberately impersonate a person, there might be some trouble.