That means a lot to me, thank you! <3
I hope to get things rolling again in January, after a tough December.
Happy holidays. ^^
It really is an amazing work, and part of why I think "Mawil" (Markus Witzel, from East Germany, pre-integration) is one of the greatest cartoonists alive.
Markus is SO funny, and there's such an intrinsic, silly, joy-of-life sentiment in his work. <3
https://www.lambiek.net/artists/m/mawil.html
I both liked and disliked this series. I thought it so impressive that they got most of the original cast back together, had DC Fontana running it, and had some really top-notch writing talent. Also, with animation, there was the promise of doing all kinds of interesting special effects that weren't possible with TOS.
The problem is that the animation budget was so limited! I didn't mind that sections of scenes were recycled, something which also happened here and there in the original series, but that the Filmation art & technique was just so mediocre. As in, not nearly as interesting as some other studios were putting out, such as Depatie-Freling. Even some H-B series had far more interesting art & backgrounds, like Scooby Doo.
Another problem is that the weak budget meant that poor Jimmy Doohan had to voice virtually every male character outside of the core cast. Similar with Nichols & Barrett having to do all the extra female characters. It got pretty identifiably ridiculous even just a few episodes in, and was a shame, because Hollywood's always had an amazing stock of versatile voice actors that worked surprisingly economically. (Mark Evanier's blog is a good place to read about that sort of thing)
OTOH, I sort of enjoyed the animation bloopers, and there were many. One of my favorites was the way background characters would sometimes be larger than foreground characters. So, interesting to read that many of such 'bloopers' were in fact by design:
"There were also only so many layers you could use before the colors started changing. Sometimes, you'll see a missing leg or something like that. It's not always a blooper, it's just that they only had so many cells that they could use."
"If they wanted to have an animation on top of whatever was happening, sometimes they'd have to sacrifice something that maybe nobody will see this," states Harvey. "At one point, Scotty's doing something and he has no legs. He's just a floating torso. For me, that's part of the charm. It's just the idea that this wasn't just like, 'Oh, we're being caught careless.' It was, 'We have to make a decision on how we're going to do this.' That was the process. That's a very abbreviated version of that process.
I did this as a joke but behind the joke is an interesting idea. Maybe the girl is really a monster and we now see her true shape. She cries, because she knows she is alone, and she knows she is a monster …
Ye gods, that's hilarious. XD
especially cool imo because it points to classical art and not pop culture.
Yeah, well said indeed!
I really like these 'classical art insertions.'
For sure, they could be handled totally awkwardly, but mostly they seem to be in good hands, no?
mgrmph^%!*(&^ yeah, you said it. :-(
Hahaha... thanks for that, my friend.
Over here there's a rare smile smile on my face, reading your funny and kind words.
<3
Is that Spip? Cute little Spip! Thank you! <3
Hey, unlike Tintin's Snowy, but is he like Franka's little dog who just sort of tags along, like Dr Watson to Sherlock Holmes? :P
I wonder how well known Schultheiss is in the Anglosphere?
Altho it's slowly changing, most BD (well, Euro+ content) isn't well known in the States-side of the Anglosphere, and I fear Schultheiss would not be in the top tier of candidates, either. Amongst artists and academics, perhaps, but not the general public, I would think.
That said, I'm curious about other areas of the traditional Anglosphere, such as the UK, S. Africa, NZ & Australia. What kind of Euro-comics are most popular in those places..?
Here in the States, I get the sense it's the usual LL, TT & Asterix formula.
There's a lot of Tintin & Struppi historical sketches that Herge did, and in some of them, I like the way Snowy looks back at the reader / fourth wall with a 'winking' sort of expression like this. I'll have to post a collection one of these days.