Tregetour

Didn't it ultimately achieve its aim with the creation of Lower Decks?

Honestly I hope it shuts down. This provider caters to racists, fascists, misogynists and the like.

Who gives a fuck? Corporate social media cater to idiots too, just more common varieties.

Why does it matter what Kanye tweets about if I enjoy his music? Why do the politics of my favorite FOSS program's maintainer matter, or what commentary they include in documentation, or the presence/lack of a flag in a social media handle? Why does it matter that a public demonstration I'm at has some fellow demonstraters whose lifestyles/politics I find abhorrent?

All you advertise to the world with this fearful mindset is that your behaviour will change on a dime given the slightest chance of bad optics. It's a rotten way to live life.

Governments and marketers absolutely love people who think like that.

Of all Lemmy comms to post a sentiment like this one on lol

talking points like, "why don't women look feminine aymore," "why are characters designed for diversity/inclusion first before story," "Concord sucks lol."

They're fair observations. Convergent, homogenous graphic design plagues big-budget game production.

Ubi is the sort of mob that could put out a title set in Georgian England and offer a cast that includes among others a queer green-haired ship's captain, a Chinese bailiff and a Rastafarian archbishop. There's a place for getting whimsical with character creation, but done often enough (and across so many genres), it becomes self-satirizing.

PS also check out https://www.themoviedb.org/movie/991452-pixel-pirate-ii-attack-of-the-astro-elvis-video-clone

TNG 3x03 The Survivors. Trek works just as well when introspective personal drama gets priority over the science fiction.

One of these days I'll post my maiden TNG viewing notes...

You need to formally complain to your bank, OP.

You'll find that these professions have a vested interest in maintaining network effects, and as such will view Mast/Blue as threats to their networking infrastructure. They don't want to dilute the importance of the platform their patronage systems rely on (let alone destroy it) - in fact its centrality is why they leverage it to advance their careers. Artists I can see understanding platform agnosticism to some extent, but for the other two groups, it's simply not in their DNA. The gatekeeping is a feature for them.

'The medium is the message' as a Canadian theorist once said.

The domain is leased to SEO lizards https://larslofgren.com/forbes-marketplace/

Lots of banned artist and album names that will return zero results, unless you do something like search for a song or two that's on the album you want and finding the data that way.

The only objectionable hurdles are the insurmountable ones