ValueSubtracted

joined 2 years ago
MODERATOR OF
[–] ValueSubtracted@startrek.website 9 points 1 year ago (4 children)

Nope - after they were cancelled, they were allowed to go back and film some additional scenes to add to the end of the finale to give it some closure.

[–] ValueSubtracted@startrek.website 5 points 1 year ago* (last edited 1 year ago) (7 children)

I think that makes certain assumptions about how Zora engages with the world, which may or may not be correct. I'd really like to rewatch "Calypso" as it's been ages, but Paramount+ seems to have...misplaced the Short Treks in my country.

But it took how many months of retooling to give us the last season?

Less than one, as far as I'm aware. They got permission to write and film an additional three days' worth of footage, which became the epilogue to the episode. Everything else is exactly as they orginally shot it, from what they've said.

It would have been interesting to see Walking Dead L'ak, but it was also kind of nice to see Moll accept the situation and start to trust Burnham.

I think that's a good thing - not just for the reasons Kurtzman highlighted, but because Starfleet being in a "rebuild" phase gives them a nice excuse to put cadets to work.

I also just enjoy the 32nd century setting, so I'm glad to stick with it a while longer.

[–] ValueSubtracted@startrek.website 11 points 1 year ago (3 children)

I really like his answer to a question about Academy's setting:

So you’re setting this —

In the “Discovery” era. There’s a specific reason for that. As the father of a 17-year-old boy, I see what my son is feeling as he looks at the world and to his future. I see the uncertainty; I see all the things we took for granted as given are not certainties for him. I see him recognizing he’s inheriting an enormous mess to clean up and it’s going to be on his generation to figure out how to do that, and that’s a lot to ask of a kid. My thinking was, if we set “Starfleet Academy” in the halcyon days of the Federation where everything was fine, it’s not going to speak to what kids are going through right now.

It’ll be a nice fantasy, but it’s not really going to be authentic. What’ll be authentic is to set it in the timeline where this is the first class back after over 100 years, and they are coming into a world that is only beginning to recover from a cataclysm — which was the Burn, as established on “Star Trek: Discovery,” where the Federation was greatly diminished. So they’re the first who’ll inherit, who’ll re-inherit, the task of exploration as a primary goal, because there just wasn’t room for that during the Burn — everybody was playing defense. It’s an incredibly optimistic show, an incredibly fun show; it’s a very funny show, and it’s a very emotional show. I think these kids, in different ways, are going to represent what a lot of kids are feeling now.

[–] ValueSubtracted@startrek.website 3 points 1 year ago (1 children)

Oh wow, I'm glad you were able to attend - how was the crowd?

I guess we will never find out where it actually came from

This was something that caught me off-guard, but the more I think about it, the more appropriate it seems. Some things are just unknowable.

As far as season finales go, I think this was their best one to date. The action was split pretty nicely between the chaotic events on the bridge, Saru's mission, and Burnham and Moll inside the portal. I thought the thoroughline of the clues left by the science team came together quite nicely, as well - there was a good amount of emphasis on how concerned the scientists had been about exactly who was going to find this thing. Burnham's ultimate decision to chuck the whole thing into the black hole caught me by surprise, but seemed pretty well-reasoned.

As far as series finale's go...I think they did pretty well with what they had. The several-decade time jump often works really well to cause some self-reflection, and it was nice to see an Admiral Burnham who was so settled down. And hey, we got our "Calypso" tie-in that managed to answer very few questions, but at least they closed that circle.

It really does feel like the end of an era. This show kickstarted the barrage of Trek we've (hopefully, mostly) enjoyed over these past few years. Of all the series that have followed it, Discovery has consistently been the one I've looked forward to watching the most, as it's been the most willing to surprise and challenge me along the way. It's been, as they say, a long road.

The Academy series remains on track to start filming this summer.

[–] ValueSubtracted@startrek.website 8 points 1 year ago (2 children)

I think it'll probably get five seasons, but I wouldn't hold my breath beyond that.

[–] ValueSubtracted@startrek.website 3 points 1 year ago* (last edited 1 year ago)

TFW you're a little too accustomed to genre conventions...

Edit: And I think we all get that from time to time. When's the last time you expected the transporters to work during a high-stakes mission?

 

With the imminent return of Prodigy, it's time to figure out where it will be found.

"That's easy," I hear you say. "Netflix!"

But we all know it's never that easy, don't we? Here's what we know so far:


Canada: CTV.ca and the CTV App.

France: France Télévisions channels and Okoo.

Iceland: Sjonvarp Simans Premium.

The Nordics, the Netherlands, Portugal, Spain, Central and Eastern Europe: SkyShowtime.

Everywhere else: Netflix, I guess?

When in doubt, this link will hopefully lead you to accurate information.


If you discover any other unique situations that aren't listed here, please leave them below!

 

The critical anthology ‘Star Trek: Essays Exploring the Final Frontier,’ edited by Amy H. Sturgis and Emily Strand, will surprise and inform readers from beginning to end. In the foreword, science fiction scholar and novelist Una McCormack asks, “Why ‘Star Trek’?” These essays answer that question over and over again with original perspectives, scholarly research, and thorough analysis of the ‘Star Trek’ media universe. Divided into three sections, “Exploring the Series and Films,” “Exploring the Ideas,” and “Exploring the Multimedia Storytelling,” this collection features deep dives into characters like Jonathan Archer and Seven of Nine, as well as broader investigations of the political, imperial, ecological, and linguistic systems at work on the futuristic Final Frontier. The essays range widely in content, from discussions of ancient Greece and Rome in the ‘Original Series’ and conspiracy theories in ‘Voyager,’ to series-wide studies of the creation of fictional languages and the consequences of imagining a future with infinite energy resources. Despite its range and variety, the anthology provides a rich, coherent understanding of how the series’ creators, writers, actors and fans have worked together to develop the most popular and challenging speculative fiction series of our era. Ultimately, and in the best tradition of science fiction, these critical essays on ‘Star Trek’ provide insight not only into this franchise but into our present, very human selves—our struggles, our prejudices, and our dreams.

Dr. Kathryn N. McDaniel

Andrew U. Thomas Professor of History Chair, Department of History, Philosophy, Religion, and Gender Studies Marietta College

 

Inspired by the ongoing Resurgence giveaway, I thought it might be fun to discuss some of our favourite Trek games. Underappreciated gems are particularly welcome!

view more: ‹ prev next ›