this post was submitted on 18 Oct 2026
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[–] AcidiclyBasicGlitch@sh.itjust.works 97 points 2 weeks ago* (last edited 2 weeks ago) (17 children)

Bruh, I can't even remember for sure the last time I went to the actual movies. Like a movie theater.

It was definitely pre-covid and I think it may have been to see Jordan Peele's US

Anyway, I went to see this last night and holy shit I think this might be the best movie I've ever seen. And I'm so glad I saw it in a movie theater on opening night.

This movie is An Experience.

It started out kinda slow and within the first 20 mins or so I was worried I might end up regretting choosing to spend 3 hours watching a movie about Elizabeth Holmes.

In hindsight, I wonder if that was a trick/illusion of the magician himself, intentionally trying to play with the audience's mind. Bc almost right after I had that thought I was 100% locked in for the remainder of the movie.

I can't remember ever sitting through a movie in a theater before where at various points throughout a single movie, my fellow audience members had such a range of shared reactions: laughter, shocked audible gasps, angry wtfs, disgust, empathy. Then when it was all over, (and I mean this in the least sacrilegious way possible) the audience all got up and left in a dazed and heavy silence that I seriously can only compare to my memory of seeing Passion of the Christ.

Anyway, go see this movie.

Nathan Fielder does what he does best, but also gives shades of Alfred Hitchcock. I know that doesn't sound like a real description, but it is.

[–] exasperation@lemmy.dbzer0.com 6 points 1 week ago

I can't remember ever sitting through a movie in a theater before where at various points throughout a single movie, my fellow audience members had such a range of shared reactions: laughter, shocked audible gasps, angry wtfs, disgust, empathy.

This is the only movie where I've said out loud "oh my god" and "what the fuck" in reaction to what was being said on screen. I was so genuinely surprised at some of the reveals.

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[–] MagicPterodactyl@lemmy.ml 46 points 2 weeks ago

I saw it today and it was great. I really appreciate a movie that actually leaves room for interpretation. Every 30 minutes or so it felt like the narrative was being turned on its head and it kept me at the edge of my seat like few movies of this length have. Definitely a movie I'll be thinking about for a while.

[–] Lifecoach5000@lemmy.world 23 points 1 week ago

Absolute madness. I am huge Nathan fan and I was setting my expectations low due to all the hype. It certainly lived up and left my jaw on the floor by the end. Holy hell there’s so many layers to this movie… I’m also glad I watched it in theater. It had been a few years since I’ve been to the movies and this one was def an experience.

[–] hexabs@lemmy.world 22 points 2 weeks ago (2 children)

Why is this movie not planned for release in India.

Kinda a big English speaking market to skip out on.

[–] roofuskit@lemmy.world 12 points 1 week ago (1 children)

Because an Indian distributor hasn't purchased it.

[–] SaveTheTuaHawk@lemmy.ca 5 points 1 week ago

They needed Holmes and 56 others to spontaneously break out in dance.

[–] SpikedIguana@sh.itjust.works 4 points 1 week ago

Because they want you to pirate it

[–] AgentSeven@lemmy.zip 13 points 2 weeks ago (4 children)

The breathless hype this movie is receiving is making me angry, and I'm not entirely certain why.

[–] MagicPterodactyl@lemmy.ml 18 points 2 weeks ago (2 children)

Lance Oppenheim documentaries are usually very well received, and this one is co-directed and hosted by a very popular celebrity comedian following a famously crazy person. It's kind of the perfect recipe to make a very popular and well liked documentary.

[–] Dojan@pawb.social 15 points 1 week ago (3 children)

What exactly made Holmes crazy? All the billionaires are like her, her mistake was getting caught scamming the billionaire class.

[–] MagicPterodactyl@lemmy.ml 10 points 1 week ago

The way she behaved in interviews mostly. This movie makes it even more clear that she is a very unusual person.

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[–] prole@lemmy.blahaj.zone 4 points 1 week ago

Calling Nathan Fielder simply a "popular celebrity comedian" really undersells him. He's a fucking genius.

[–] ChunkMcHorkle@lemmy.world 14 points 1 week ago* (last edited 1 week ago) (1 children)

The breathless hype this movie is receiving is making me angry, and I’m not entirely certain why.

Possibly because on a superficial level it comes off as another celebration of an evil doer who actively did truly shitty things, and we're all bone fucking tired of that.

I only say that because for myself I've been skipping the above Guardian article for several days based on the subject alone, and that is my own reason why. Good to hear there's more to the movie than that. I like a good documentary, maybe this will be worth watching when it gets to streaming.

[–] prole@lemmy.blahaj.zone 8 points 1 week ago

I can almost guarantee that the movie does not portray Holmes positively.

This will probably piss you off more, but it's one of those things where it's kind of impossible to predict what your expectations should be going in and that's a big part of why it's enjoyable.

Don't want to spoil it for you but you should leave the movie with broad questions about truth, human nature, memory, and bias/perception in general moreso than gaining definitive answers about the subject of the documentary.

Will you be able to go about life just fine if you don't see it or wait until it's streaming? Yes.

Is it a surprisingly good movie that's worth the cost of a ticket and 3 hours of attention? Yes.

Honestly would like to know if you do end up seeing it and manage to still hold on to that singular feeling of anger while sitting through this movie.

[–] exasperation@lemmy.dbzer0.com 3 points 1 week ago

You're right to be a little bit skeptical that a movie could actually be as groundbreaking as people seem to be claiming. But I think it lives up to the hype. It's a documentary, but it's a documentary like no other I've ever seen. It's a Nathan Fielder work, and there are all sorts of Nathan Fielder characteristics to this film, but the collision between the subject of this documentary and Nathan Fielder's style is just such an interesting lighting in a bottle type situation, like when physicists finally develop the technology to smash subatomic particles at high momentums against each other, and seeing what comes out of it.

I can't see how something like this could ever be made again.

[–] monotremata@lemmy.ca 6 points 1 week ago

I hadn't heard anything about this, but it sounds pretty interesting. The Guardian's description makes it sound a little like 'F for Fake," which is pretty great.

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