Carla was the prom queen…
DrinkMonkey
The spinning top totem at the end of Inception. Neo stopping the bullets in The Matrix. The first shot of the dinosaurs in Jurassic Park. The Nazis’ faces melting in Raiders.
Dialogue can be wonderful. But visual storytelling that treats the audience with respect is what cinema is all about.
Check out the (now defunct) YouTube channel Every Frame a Painting. The video on Drive in particular opened my eyes to how Refn composes shots to incredible effect.
And it is NOT about capturing “pretty” scenes, but about manipulating the viewer’s emotions in ways they do not even perceive.
Absolutely! And a place for the dog to do her business!
Not even. We exclusively roadtrip in an EV now. The whole family gets out to pee, grab snacks, and by the time we are ready, so is the car. As the driver, if it’s mealtime I might eat the harder to manage portion before we leave, and we aren’t rushing, but there was certainly no time to smell roses!
It does not. It doesn’t even keep track of your past searches. They may make this possible in the future, but already have it set as off by default, should it ever happen. It’s honestly, really, really good!
ETA - you can indicate what sources should filter up higher in your results if you want
Agreed. The syncing can be managed other ways. The only thing I’m left with is using on a work computer for some reason, where one’s own devices aren’t available/permitted? But that’s probably not a common usage case.
To sync across different devices maybe?
Sorry friends. Here’s the Exalted form:
Yeah that’s what I expected. I think the Kodi suggestion for the Shield is the most promising lead. Hope it works out.
Infuse for Apple TV will do this. You can point it to any folder on your NAS as an SMB share. It’s how I play back my own Blu-ray Discs, 4K or otherwise. It doesn’t do menus that I remember, but you can select the title easily enough.
Highly recommend also pointing it to your Jellyfin instance and using that as your front end for other files as it seems to me to have the best ability to do direct playback without transcoding, and the fewest hiccups for audio playback sync issues which can be annoying.
While you can just point Infuse directly at your other folders, its metadata cache gets dumped frequently by the OS, and it has to get rebuilt which is slow and annoying when you just want to watch something. Pointing at Jellyfin also lets you use whatever custom Jellyfin posters you’ve selected which helps for keeping special versions/collections identifiable visually.
To give a non-snarky answer, it does AR with external cameras and an incredibly low lag such that those who have tried it have said makes it almost natural (the resolution apparently isn’t perfect, but there is no discernible input lag when looking around which happens on other similar devices). But you can dial up the opacity to wind up in a fully VR environment. So, it is in fact, both.
Your question about software is a big one. Apple is advertising 1M apps available at launch (good) but these are iPad apps, which can run on Vision OS without any modifications by the developers (not so good). That does not mean it will be a good experience. I was listening to a podcast today where a developer clearly stated that after getting a chance to try their app on device at a lab, they totally stopped development because they missed the mark completely with their imagination and the simulator on how it should work. You’ll still be able to run their iPad app, but until they get their hands on their own hardware to iterate more rapidly, they’re giving up.
All that to say it’s unclear how many apps will be natively designed to work with it on launch, and if these will be any good.
Thankfully I don’t live in the US so I am immune to this particular reality distortion field. For now…
Certain kinds of art are definitely "not for me", yet are entertaining to some. And I still consider the films I find entertaining to be "art". I wonder if this is a false dichotomy?
I find it helpful to not conflate good writing, good characters, and good dialogue. A story does not require dialogue to have its plot be propelled forward, to make us feel what is at stake is important, to make us care deeply about what happens to the characters (e.g. A Quiet Place, Wall-E, for example). Similarly, excellent dialogue simply isn't possible if the audience doesn't care about the characters nor the stakes - the words will simply fall flat. It's all connected, and there is considerably more to writing than dialogue.