Grimreaper

It’s already dangerous for regular people—especially women—to be out alone at night. For people from very wealthy families, even if they’re not famous, I imagine it’s even riskier since they often look “expensive” and drive luxury cars. So how do young people from wealthy families stay safe when going out at night or traveling? Do they usually have security with them all the time?

Do you think 21-, 22- and 23-year-old women and men should be allowed to consent to sex with older adults 10-20 years older than them? Just because you can do something doesn’t mean you should. One could argue that an adult in their 40s or 50s who chooses to date someone 21-23 or 22-24 deserves to die. I have heard these arguments before.

What do you think?

I’m writing an 18+ superhero story. My main character is a young man/woman (I don’t know their gender yet). They are a stripper and get powers from overdosing on a street drug that gives you superpowers. After that, their 31-year-old boyfriend dies (he’s older than my main character). My character decides to find his killer and originally plans to kill them but chooses justice over revenge and hands them over to the police, and then they decide to become a superhero vigilante.

Really this origin story is about love and justice VS revenge. It’s a young man or woman in love with a slightly older man or woman with baggage, and when they are murdered, my main character with their superpowers has to decide how they move forward. They know they are taking the law into their own hands, but will he/she choose revenge or justice? Will they let their hate and grief control them to murder the killer, or do the right thing and honor the boyfriend/girlfriend and bring their killer to justice?

It's about how these people murdered this innocent man/woman that my main character loved. The pain you gave was unprovoked, but despite all this, they know the boyfriend/girlfriend wouldn't want them to become a murderer and get revenge, so they decide to send them to prison. They choose justice despite in their hearts wanting to kill them.

What could make the tragedy even heavier is if, before the person is killed, they cheat on their partner with an ex. They get into a heated argument with that ex, yell, and then immediately regret it. Feeling awful about what happened, they confess everything to their partner and genuinely beg for forgiveness. But the partner leaves. Heartbroken and jealous, knowing the person truly loved their partner more, the ex kills them. This adds to the survivor’s guilt—if they had stayed, they might’ve saved them. It also brings a more mature layer to the relationship, showing how people can make a terrible mistake, feel genuine remorse, and still seek forgiveness.

How old do you think my character is?

I don’t hate teen superheroes. I grew up loving Spider-Man and Teen Titans, but I’m just tired of them. Comic characters never age, and every reboot resets them back to high school. Spider-Man’s been rebooted over a dozen times, yet he’s only been an adult in two animated shows. His best stories are when he’s in college or older, but studios keep him a teen to appeal to kids.

It’s not even just him — Ms. Marvel should be 28 by now, but she’s still 16. There’s no middle ground anymore. You’re either a teenage hero or in your 30s. What happened to heroes in their 20s?

There’s a big difference between weird or questionable and criminal or abusive. Once someone is over 18—especially in their 20s—they have legal and moral agency. A 23-year-old dating a 40-year-old might raise eyebrows, but it’s not pedophilia, and calling it that cheapens what real victims go through.

While I think it's weird that a 21-23-year-old dating an older person is really weird and inappropriate, I can't compare an older adult dating a 23-year-old to a literal paedophile who goes after literal children; they aren't the same. One person deserves to die, and the other doesn't. The one dating a 23-year-old is a little weird and deserves a side eye; the other deserves to be locked up in prison forever.

Stop comparing this to a paedophile; one is very weird and gross (but the two people consenting have the right to choose to be weird and gross), the other truly evil.

Unpopular opinion, but R-rated “teen dramas” like Euphoria should just be set in college.

The characters don’t look or act like teenagers. They’re played by adults, doing adult things—clubbing, drinking, hooking up, and having way too mature relationships for high school. Yeah, some teens experiment, but not like this. If you removed the scenes at school, everyone would assume these characters are 21-25.

Character ages should make sense narratively. Nickelodeon and Disney shows like iCarly or Victorious worked because they were actually about teens, played by teens, written for teens. Even Spider-Man makes sense as a teenage story—he’s a kid juggling real responsibility. But with Euphoria, it feels like they just made everyone “15” for shock value.

If your show’s rated TV-MA and aimed at adults, just make the characters adults. It’d be more believable and way less creepy.

Fridging is when a love interest gets killed just to push the main character forward. It used to mean a woman getting hurt to make a man act. Now it covers any partner dying to pump up the plot.

Here’s the cold truth. A romantic loss is the only loss that actually justifies losing your head over it. If your boyfriend or girlfriend dies, that grief can spiral into obsession or a need for revenge. That is story fuel. Everything else is background noise.

An uncle, a child, a best friend, a parent, a teammate getting killed is not tragic nor is it enough to be sad and enough to motivate you to be a hero. Those losses might be a little sad but they do not automatically justify turning your life into this crusade against injustice. They are not dramatic enough to demand you drop everything and hunt a killer down.

So yeah, fridging as a device works because romantic love is one of the few things audiences treat as absolute.

Whenever there is a story about a main character who is depressed because their best friend, parent, or child dies, I just can't get into it, and I'm always like, "Please get over it," because this isn't enough to be depressed over, and it's not enough to want to become a good person.

If real people got powers, do you think they would all become corrupt, evil psychopaths?

I know Superman fans may not like this, but the act of keeping a secret identity has always involved gaslighting, lying, and manipulating people. My question is: between Light Yagami/Kira and Clark Kent/Superman, who’s the better liar, manipulator, and gaslighter?

Do you think people who illegal street race are 'bad people'?

I've always had this question about exclusive private schools for extremely rich kids, like kids from multi-multi-millionaire families. This question applies to private schools from elementary to high school. Do their private chefs just pack them lunches, or do private schools have high-end food for lunch in the cafeterias?

This question is for ‘hero’ in all forms: realistic, fiction, superhero, comic book, anime, etc. Let’s say a person is flawed, or is very arrogant, or has a superiority complex, etc., but also does heroic things—like being a firefighter, doctor, wizard, superhero, whatever. Do you think that person is still a hero despite having negative personality traits?