Agree totally. Which is why I have a certain exasperation for those who gave Lower Decks and Prodigy a couple of episodes and then decided it’s not for them.
StillPaisleyCat
joined 1 year ago
It struggled with that the first half season, but it found its own voice over time.
The fact that it’s found and retained its own dedicated fanbase who have no prior experience of Trek is evidence enough that it stands on its own.
It’s all moved to Paramount+ and SkyShowtime.
They get worse as they go on, like most Weber series. A few books in and they seem to always devolve to coredumps of exposition and backstory marginally dressed up as meetings. Even the tactics and action diminishes to the point where I’ve read more compelling write ups of tabletop war games.
(And I’m someone who both war games and has read every single book in the Safehold series.)
Advent calendar looks cool but expensive.
I’ve lived everywhere but Atlantic Canada actually. I also work with colleagues from coast to coast.
One hears it, (as in, ‘she moved into town once her husband had passed on’) but it’s not the kind of automatic euphemism that would make it the first interpretation. ‘She passed on that opportunity’ is really common.
When someone dies, we usually just say that.
I’d like to see CJ Cherryh’s Alliance-Union universe brought to the screen.
Downbelow Station seems made to become a streaming series.
I can get behind this take.
I don’t think we should over-exalt 20th century science fiction literature that was fantastic at communicating concepts and ideas but made no genuine effort to do that with well developed characters.
The awe factor was great, and it did inspire, but even for avid readers, it can be a slog. If one takes the position the value of science fiction lies in engaging a broader audience than those of us who can read the math and follow the science, then it needs to be engaging enough that it attracts and holds the interest that audience.
At this point in my life, I expect both good ideas and good characterization and storytelling. Otherwise, I’d rather just read stories and models in real math. I have no criticism at all of the show’s EPs effort to make the ideas in Foundation more appealing and accessible with better storytelling.
I first read the Foundation series in my teens, after Dune and Dune Messiah, having graduated out of John Wyndham and run out of Arthur C Clark at my school and public libraries. Foundation held my attention, the ideas were cool, but I was also reading anything I could when I wasn’t doing schoolwork. I find it hard to imagine it would have held my interest in the face of the kinds of diversions kids can take with them now.
OP isn’t American. It’s not a universal euphemism.
Even having lived in the US at one point it’s not an automatic connection.
Canadians (at least in my experience) use the expression ‘passed away’ if at all to avoid saying ‘died.’
But also being Canadian, I’ve given my regrets elsewhere on this thread. And I’m sorry for the unintended shock to any and all who don’t share my dialect.
Well that’s another cultural difference right there.
I’m Canadian. Expressing regret and saying we’re sorry is a reflexive social necessity.
We even have federal and provincial legislation (Apology Acts) to prevent an express of regret from being used against us in court.
But it’s also true that ‘Sorry, not sorry’ is a thing.
English usage varies. That usage of ‘passed’ isn’t top of mind for me.
Regrets to have evoked death for anyone.
I found that the opinion-piece from Space.com didn’t distinguish classic tropes and use of legacy characters from ‘gimmicks.’
While my personal preference prior to the show’s premiere had been to hold on the introduction of so many TOS legacy characters, to allow the others and original ones to breathe, as long as having Kirk there is bringing new insights to his character (and others’), it’s all to the good. At this point, I’m eager to see more of young Scotty.