StillPaisleyCat

joined 2 years ago

At least, there’s some kind of planning this time.

But Rick Berman was still hassling Terry Farrell to get her to get breast enlargements.

Which is one of the reasons she left the show.

It’s my favourite season just for that.

[–] StillPaisleyCat@startrek.website 4 points 2 weeks ago (1 children)

Yes, there were a few great season one Enterprise episodes such as ‘The Andorian Incident’ directed by Roxann Dawson of Voyager and guest starring Jeffrey Coombs as Shran but it was the fourth season that truly redeemed the show.

It was your assertion that ‘if you’re a fan of older Star Trek’, someone would share your view that irked me.

There’s a lot of older fans that don’t dislike the new shows. We just aren’t feeling the need to caution other older viewers about the new shows.

I felt that way about Voyager at one time.

Watched the episodes once as they came out but wasn’t seeking to rewatch.

But then our kids came along, hit their preteens, and for them Voyager reruns on cable was ‘their Star Trek.’

I watched Voyager more with them during their preteens and early teens than I did during its first run.

And I can say that it DOES stand up to rewatch. More, it has many ‘best of trope’ episodes.

I think perhaps it was Voyager’s unevenness in quality across the entire run or, perhaps fatigue from hundreds of episodes of TNG and DS9 rewatched immediately after they were broadcast, that led me to not appreciate Voyager as much initially.

All to say, I was very wrong about Voyager’s rewatch value, and perhaps many crusty 90s Trek fans are wrong about Discovery too.

[–] StillPaisleyCat@startrek.website 3 points 2 weeks ago (2 children)

Speak for yourself.

I’ve been watching since 1967 and happily watched all five seasons of Discovery as they came out.

I’ve also rewatched them all with other members of our household.

I’ve definitely watched Discovery more times than Enterprise.

[–] StillPaisleyCat@startrek.website 6 points 2 weeks ago (3 children)

I agree Discovery over Enterprise.

It’s hard to hold up the show that showed our first hero captain in the franchise not only condoning but choosing torture as an alternative as being ‘more optimistic’ or ‘more in line with Star Trek’s aspirational vision.’

Then there’s its sharp retrograde to bro culture.

BTW I’m almost as longtime a fan as possible.

My first episode was TOS ‘Devil in the Dark’ on the day it first broadcast in Canada in early 1967.

Since then, I have seen every episode in first run the week it aired EXCEPT when Enterprise went off the rails after 9/11, trying to be an apologia for the appalling reaction of the US which suddenly condoned torture and violations of the international rules based order.

[–] StillPaisleyCat@startrek.website 0 points 2 weeks ago (3 children)

I really find this narrative offensive.

First there’s the mischaracterization of a very young and completely dependent who child completely abandoned with the death of the last adult who cared or supported him.

But more than that, Star Trek is littered with a trope about children with incredible powers to interact with the universe who nearly destroy the galaxy or civilizations or large swaths of them.

It started with Charlie X, and was taken up by every other series, sometimes more than once.

On all those other occasions, our hero ship and crew miraculously saved the day and prevented disaster by psychic or superpowered child who was incapable of adult decision-making.

Discovery called the bluff.

Discovery reversed the trope, had the child’s powers actually destroy civilization.

Instead of the hero crew stopping the disaster in the nick of time (again), Discovery finds the child and solves the problem.

And long time fans are offended by THAT?!!

[–] StillPaisleyCat@startrek.website 6 points 3 weeks ago* (last edited 2 weeks ago) (1 children)

Discovery is fine overall.

It may not be everyone’s favourite Trek but NO SINGLE SHOW IS EVERYONE’S FAVOURITE.

I’m stooping to yelling because, looking at it as someone who saw TOS in first run, it really can’t be stressed enough that there needs to be new Trek for every generation.

I didn’t expect that our GenZ kids would like Voyager best of the older shows.

And yes, for one of our GenZs, Discovery season one is ‘the best season of Trek’ ever. They have rewatched all the seasons of the show more than I have.

Discovery season 5 was fine in my view. I wasn’t fond of the series epilogue tacked on to the finale.

Season 4 of Discovery has a better premise and structure than Picard season 2 but both seem to suffer terribly from being shot under COVID restrictions. Other shows managed to write around the limitations without such stilted and drawn own scenes. I don’t know what Paramount instructed its writers teams be it’s boggling to see these seasons against the rest now.

I do like the idea of her being some kind of traveler better than being sacrificed as a fixed point guardian.

But then that commitment to be frozen as a perpetual guardian what makes her sacrifice meaningful.

My problem is that the episode was written from Pike’s perspective rather than Batel’s so that we heard her telling Pike what she was going to to and why rather than seeing that process of acceptance and noble sacrifice from her side.

[–] StillPaisleyCat@startrek.website 2 points 1 month ago (1 children)

Relative to the abysmal corporate communications Star Trek has received as a franchise since the ViacomCBS merger (while at the same time largely shutting down more informal social media outreach from anyone but the showrunners), this shows some promise.

It’s hard to imagine that the Skydance merged firm would be yet worse than Paramount for corporate managed communications.

 

Interesting extract from a longer /Film interview with in-demand director Roxann Dawson.

I appreciate how she speaks with respect for the shows of the new era.

 

Season-long prerelease reviews are an exception to this community’s rules about posting reviews. (The mods prefer our members to prefer to post their own episode reviews here.)

It seems that today’s the day that Paramount’s embargo on ‘spoiler free’ (in theory) season reviews for Lower Decks season 4 comes off, and the first pro reviews are now posted by some who have seen the screeners.

From Inverse:

  • each one of these 30-minute episodes is nearly perfect. Just as the USS Cerritos presents the workhorse of Starfleet, with Season 4, Lower Decks again proves it is the workhorse of the entire Star Trek franchise.

From SlashFilm - view with caution, a bit more spoilery

  • /Film Rating: 9 out of

Any to add to the list?

 

@Nmyownworld@startrek.website spotted Murf in the poster in the promotional announcement for Star Trek Day.

Nmyownworld’s mention on the Star Trek Day thread was great, but I thought it would be great to amplify it. So here is the image with the colour intensity dialed up a bit and Murf circled to be easier to spot.

StarTrek Prodigy Lives!!!

 

This is good news for assuring that SNW’s 3rd season production will move ahead after the strike.

Greenlighting a couple of extra episodes and a 4th season would make strategic sense, but I’m just not willing to give Paramount the benefit of the doubt on that.

 

For those not already aware, Michele Stokes a fan in the UK raised over $US 1200 through a GoFundMe to pay for a skywriter with a #SAVESTARTREKPRODIGY banner.

It flew midday today in LA. The ScreenRant article captures much of the social media including a few videos, and the reactions of the Hageman Brothers and @GoodAaron@startrek.website.

Michele Stokes is also the fan who started the change.org petition to Save Star Trek Prodigy. It’s been progressing slowly since it surpassed 30k signatures during SDCC, and is very close to 33k now. If you haven’t signed and are willing to deal with the platform (which is now monetized), Prodigy could still benefit from your support.

 

Working from the oral history in The Five Year Mission: The next 25 years, this is a fascinating deep dive that answers the question “How did a recycled cover of a 1998 song written for Rod Stewart, ‘Where My Heart Will Take Me’ aka ‘Faith of the Heart’ become the title music for Enterprise?”

Also, after resisting melodic scoring in all the 90s shows, it turns out this was the music Rick Berman liked?!!

“…I, for one, can tell you that I thought it was a great opening and I'm not alone in that. I don't think I'm in the majority, but I'm not alone."

And it seems the song does have its own subniche of supporters who share Berman’s view. (But not I.)

 

@GoodAaron@startrek.website has shared the news on Mastodon.

The GoFundMe has exceeded its goal. The organizer described it as follows:

The plan is to hire either a skywriter or sky banner to make passes over the offices of potential new homes for Star Trek Prodigy, namely Amazon, Netflix, etc. The more we're able to raise, the more streamers we'll be able to lobby and the louder we'll be able to shout about what an amazing show Star Trek Prodigy is - for fans of all ages.

 

What can I say, all that pink and purple just seems to be meant to be together.

Credit again to Trek Core for their excellent TAS BlueRay screencap library.

Editing to add: love Barbie, pleased to see the movie out earning most of the comic heroes, always glad that TAS and Prodigy make themselves appealing across genders.

 

Looking forward to this ‘Picard’ tie-in novel telling the backstory of how Seven joined the Fenris Rangers.

Mack says he’s submitted front matter with starcharts. I love that kind of stuff.

 

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

In the midst of Barbie-pink dominance, TAS would like a word.

Star Trek’s own home of pink, purple and lime green has something to say.

 

This is a great interview with some significant behind the scenes perspective, and affirmation that fan advocacy is having an impact.

KEVIN: When interested parties with offers come forward, we’re going to be a part of that conversation. . . All we know at our level right now is that there’s active talks happening, right now. . .

** TREKCORE: What can Prodigy fans do to support the efforts that might be happening behind the scenes?**

DAN: I think they’re doing exactly what they —

KEVIN: They’re doing more!

DAN: More than we ever asked for, or expected.

KEVIN: All the noise they’re making out there is fantastic. I don’t think that telling Paramount+ to pick us back up again is going to happen; I think they’ve made their choice. Now it’s about telling Amazon, Netflix, Hulu, or whoever that “Hey, here’s a great freaking show!”

DAN: Just tell people about the show! Because I think Prodigy looks like one thing from an outsider’s perspective — it could look like a young show, or a show that someone might not be into. But when people say “There’s some great storytelling in there!” or “You don’t even need to have children to enjoy Prodigy…”

KEVIN: Spread the word, it’s an all-ages show.

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