nxnje

joined 1 year ago
[–] nxnje@alien.top 1 points 11 months ago

Hello friend. Unfortunately, I have never tried the Truthear x Crinacle Zero and Zero:RED.
I can just say that if I had to choose between these and a pair of KZ PR2, I would pick these with no hesitation.

The only IEM at the same price that would make me struggle a bit would be the EPZ Q5, which are technically similar to the EW200 but a bit more V-shaped.

Insane period to be on the market for IEMs, really.

[–] nxnje@alien.top 1 points 11 months ago

Crazy good price! Thanks for sharing.
Unfortunately for me and all the other italians, it says €42 shipped to Italy. Sad :(

 

TL:DR for those who have no time or willingness to read the full review:

PROS CONS
Very good tuning with nice overall balance, good resolution, nice treble extension, lots of details and a great imaging A bit more sub-bass rumble would have been delicious, and the upper midrange could be a borderline forward for some people
Good build quality and nice stock cable Very few tips provided
Comfortable shells
Price

INTRODUCTION

Simgot has been under the spotlight for months already, and this thanks to some of their releases which were a true success (EA500, EW100P, EW2000, and so on).I am late on this review, but I asked Simgot if I could try something from them after reading many happy people spending great words about the EW200: I was curious to try these and I am lucky that they granted me a sample so that I could try this set and write a personal review of it.

Let’s get straight into the review since I can’t really wait to share what I think about these gems (and yes, this is already a little spoiler).

Disclaimer: the Simgot EW200 were sent from Simgot free of charge so that I could write a honest review. This review represents my personal opinion on the set and it is by no means a promotional or paid content.At the time of the review, the Simgot EW200 were on sale for about 39$ at Linsoul, Tmall and Aliexpress (they should also be available at your local Amazon website but it really depends on where you live).

https://preview.redd.it/6iaxohw3t52c1.jpg?width=1000&format=pjpg&auto=webp&s=2646a0d623a2b9025f085336570629eb47b7a289

TECHNICAL SPECIFICATIONS

  • Driver Configuration → 1 x 10mm DD
  • Sensitivity → 126 dB
  • Impedance → 16±15% Ω
  • Frequency Response → 10 Hz – 50 kHz
  • Cable → 1,20m OFC high purity silver plated copper cable with 0.78mm 2-PIN connectors
  • Plug Type → L-Shaped gold plated 3,5mm jack connector

PACKAGING

The packaging is simple and with very few things inside:

  • The EW200
  • The detachable 3.5mm cable with 0.78mm PINs
  • One set of tips (S, M, L sizes)
  • A soft fabric carry pouch
  • User manual

https://preview.redd.it/drwpfh9xs52c1.jpg?width=1000&format=pjpg&auto=webp&s=ea47dd088292017989a16d2c773a510aef67dd67

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https://preview.redd.it/sy4mjg9xs52c1.jpg?width=1000&format=pjpg&auto=webp&s=4af86799a3d4935da0ed7c4c4926b35a07f156cf

DESIGN, BUILD QUALITY AND DESIGN

From the images, the EW200 are very similar to the EW100P, but the latter is made of plastic while the EW200 are enclosed in glossy and mirrored metal shells. There are also some “high definition” notes on the faceplates among with the Simgot logo, which I’m not a fan of since the only logo would have been much more minimalistic, but they look rather elegant anyway.

The nozzle is of average size, which means that most tips will fit perfectly, and even though the shell is a fingerprint magnet the overall build quality and design are very good.If anything, it’s one of the heaviest IEMs around in this price range, but this is not a dealbreaker since the shape of the shell is not awkward and the fit, as we’ll discuss later, proved to be very secure.

https://preview.redd.it/u5pxd34zs52c1.jpg?width=1000&format=pjpg&auto=webp&s=be9948cfa9226fa2056188f6961c015d22a2617e

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Lastly, there is one thing I don’t understand.
The EW200 use recessed 0.78mm PINs, just like Moondrop and Truthear, and it’s surprising that other models like the EM6L instead have a QDC connector. It would have been much better if Simgot used the same kind of connectors for their whole lineup, since one could buy one aftermarket cable and use the same on every IEM with no issues (sure, you can use EW200 cable on the EM6L, for example, but there’s a higher risk of damaging the cable or the IEMs since you’re not using a QDC aftermarket cable).

https://preview.redd.it/j7mijlmzs52c1.jpg?width=1000&format=pjpg&auto=webp&s=55fc74d3be05c0349402e987e66bcfc906f20096

CABLE

The stock cable is covered by a PVC sheath and it’s a very good cable considering the price of the IEMs. The chin slider used by Simgot on this cable is one of the nicest around, and if you have read some of my older reviews you know that I always search for chin sliders when evaluating an IEM (I know it could seem like a stupid thing, but it’s a kind of “accessory” that always turns out to be useful sooner or later.

Since the 2-PIN connector is recessed, this cable has a very thin plastic housing around the PINs, which means that this cable is basically usable on every IEM around.

https://preview.redd.it/xfk7ihd1t52c1.jpg?width=1000&format=pjpg&auto=webp&s=ae09e94848e513b37523e1ef37b6801a7ea3d72d

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COMFORT AND ISOLATION

The EW200 are very comfortable, both because the shell doesn’t have sharp edges and because the nozzle is not annoyingly long or large. The provided tips are not bad but some will maybe prefer playing with some aftermarket tips in order to find a better fit. I have to say that the stock ones do the job for me, even though I will definitely spend some time playing with other aftermarket tips after finishing this review.

The isolation is not the strongest around but it’s more than enough to use them outside.

SOUND

GEAR USED FOR THE TEST

  • DAC: Topping E30
  • AMP: Topping L30
  • Mobile phones: Samsung Galaxy S7 Edge, Xiaomi Mi A3
  • Dongle: Apple Type-C dongle, Truthear SHIO
  • Portable DAPs: Benjie S8/AGPTEK M30B
  • Other sources: Presonus AudioBox iONE, ElGato Wave XLR

Do they need an amplifier?

The EW200 don’t strictly need an amplifier to perform well, and they reach more than satisfying volumes even when plugged to weak sources.

Sound signature

The EW200 present some minor differences from the Harman 2019 target, from which they are inspired (they have also put the graph on the box for comparison), but they can be described as an Harman-tuned set.

Lows: this is a “quality over quantity” set, hands down. The sub-bass is slightly less present than on a pure-Harman set, but comes up in a very clean way when called for and it’s well controlled. Definitely not basshead’s material, the EW200 also surprise with a very tight and fast bass and a moderate texture quantity. Some people may feel the need for more thickness, but the intention of the tuner wasn’t making a thick-sounding or bassy set.

Mids:

The midrange is not recessed as on the many other sets in their price range. In fact, even though the lower midrange is not really deep or rich, the overall balance of the mids is surprisingly good, with frontal instrument reproduction, good layering and separation. Female vocals really shine and are very energetic, but those who are very sensitive will find them “borderline” sometimes.

Highs:

The highs are elevated, packing a lot of details, and I was really surprised by the quantity of small nuances portrayed by the EW200. Not only that: the treble is extension is great and there is a lot of air and sparkle, even though this comes at the cost of making the IEMs not suited for treble sensitive people.

Soundstage is generally wide with average depth and limited height perception. The imaging is above average for the price though, which is good news.

Simgot EW200 vs EPZ Q5

Let’s be brief: from a technical standpoint, the differences are very small and, if present, mostly attributable to tuning. The signature and the overall timbre are what really make a difference in this case, since the EPZ Q5 come out as a slightly more V-shaped set.The sub-bass, in fact, is more elevated, impactful and extended on the EPZ Q5, providing a more solid foundation than on the EW200. The Simgot EW200, on the other hand, takes the lead when it comes to the bass, with a slightly better bass response consisting in a bit more punch and tightness.The midrange is less recessed on the EW200 (even if not dramatically so) overall, but male and female vocals sound a tad better on the EW200 with more intimacy and energy.The upper treble has very good extension on both, but the EPZ Q5 are airier and even more open and spacious than the EW200, even though the EW200 somehow manage to sound a bit thicker and with a “cleaner” detail retrieval.When it comes to soundstage and imaging, the differences are very small, since the EPZ Q5 are marginally better in portraying a more spacious soundfield whereas the EW200 have better imaging capabilities.Both are comfortable and well built and both come with very nice cables. If I have to be nitpicky, the EPZ Q5 come with MMCX connectors, which tend to be less durable than 2-PIN connectors, and the EW200 benefit from the bigger shell insulating better from external noises (but again, this are really minor differences).Summing up, there’s no clear winner and it all comes down to personal preferences: if you listen to EDM, Metal or other genres that could benefit from a more elevated sub-bass and a slightly snappier treble, then the EPZ Q5 are the ones to get; if you instead tend to listen to vocal oriented tracks and prefer a more “rounded” set, or if you don’t like the MMCX connectors at all, then the EW200 may be the smarter choice.

Simgot EW200 vs CCA Duo

The CCA Duo are a very unique set in the KZ lineup, but this is not enough to beat Simgot’s EW200. The Duo are brighter, with an even leaner low-end, thinner midrange and less note weight overall. The EW200 are already somewhat bright, but the CCA Duo are even brighter due to the fact that the low-end is much less present than on the EW200 (especially in the sub-bass region) and also because the treble is more emphasized on KZ’s IEM.The overall tonal balance along with the great technical ability of the EW200 really make the Duo obsolete, and even though the latter has respectable technicalities and resolution, the EW200 come out as the overall best-sounding IEMs of this comparison.The build quality of the EW200 is better but the Duo are well built as well. The stock cable provided with the EW200 is better. Comfort is similar the same applies for the isolation.The EW200 are just better, period.

Simgot EW200 vs Moondrop LAN

The Moondrop LAN was overlooked by many due to the fact that most people classified it as an average set, but they are still a very balanced and well done set.Compared to the EW200, the Lan tend to be less bright overall, with just a tad more sparkle on the upper end even though the EW200 sound more extended and open overall.The EW200 also sound fuller in the low end and this translates into a better perception of the lower midrange that sounds slightly deeper and warmer while the Lan have a more neutral lower-midrange. The upper midrange is not very different, but sometimes the EW200 may be perceived as a tad more forward in that area.Imaging and soundstage are better on the EW200 whereas the overall timbre is a bit smoother on the Lan.Build quality is great on both sets even though the Lan feel a bit sturdier to the touch. EW200’s stock cable is better and has a chin slider (the Lan don’t have anything similar on their stock cable). Comfort is good on both sets, but the Moondrop are smaller and may be slightly easier to keep in the ears if you small ears.I’d pick the EW200 but it’s just because the Lan have a less pronounced sub-bass and this doesn’t fit my personal preferences.

FINAL THOUGHTS

The Simgot EW200 is an amazing set of IEMs, and it’s really hard to find serious flaws.Being nitpicky, one could ask for a bit more sub-bass rumble and a slightly less forward upper-midrange, but I won’t really complain for anything particular since they perform much better than expected considering their price.

Well done Simgot!

[–] nxnje@alien.top 1 points 11 months ago (1 children)

Thanks for the comment friend, I appreciate!

Yea it's mostly for instrumental-oriented stuff and not for EDM and rock.
I mean you can use them for those genres too, but they are not gonna shine.

In terms of tips, the stock ones do wonders to me: sure they build some pressure inside but the divinus instead don't give me the same secure and solid fit and they also smoothen the treble a bit.

 

TL:DR for those who have no time or willingness to read the full review:

PROS CONS
Neutral tuning with no annoying peaks or dips and no particular frequencies over the others Low-end visceral rumble is not a thing, even though the sub-bass is there and you can hear it playing in a very controlled way and with respectable extension
Tight and punchy bass and detailed treble response along with natural mids and no sibilance whatsoever Bass is tight and punchy but will never have the same weight and depth as on a dynamic driver
On-point tone and timbre, which is good news Soundstage could have been slightly wider and deeper
Great build quality Not the easiest set to drive: having a good source is recommended
Super comfortable shells and above average isolation
Excellent stock cable

INTRODUCTION

AFUL is a strange name for sure, and mostly because it’s not among the most iconic brands in Chi-Fi history.
After the P5 and the P8, the brand is back with the MagicOne, a single BA IEM which is far from being A(W)FUL (sorry, but this joke has been around for a while and I needed to put it in the review).

Disclaimer: the AFUL MagicOne were sent from HiFiGO free of charge so that I could write a honest review. This review represents my personal opinion on the set and it is by no means a promotional or paid content.
At the time of the review, the AFUL MagicOne were on sale for about 139,99$.

AFUL MagicOne with AGPTEK M30B/Benjie S8

TECHNICAL SPECIFICATIONS

  • Driver Configuration → 1 x BA
  • Sensitivity → 103 dB
  • Impedance → 38 Ω
  • Frequency Response → 5 Hz – 35 kHz
  • Cable → 1,2m OFC silver plated cable with 0.78mm 2-PIN connectors
  • Plug Type → straight gold plated 3,5mm jack connector

PACKAGING

AFUL MagicOne’s packaging is simple but it doesn’t look cheap.
It contains:

  • The AFUL MagicOne
  • 2 sets of different tips in S,M and L size, for a total of 6 pairs of tips
  • A convenient hard carry case
  • The detachable cable
  • User manual

HiFiGO also sent me a pair of Divinus Velvet eartips, since apparently they knew pairing these with the MagicOne could have been a good idea.

https://preview.redd.it/8f4s0su8fd1c1.jpg?width=1000&format=pjpg&auto=webp&s=59b3965dbe7ad076a3e5f4eddb619b9591f4a3f3

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https://preview.redd.it/ir64zsu8fd1c1.jpg?width=1000&format=pjpg&auto=webp&s=b0508e8c62898237dd20124b60e35cc1a94af85c

DESIGN AND BUILD QUALITY

It’s really hard to find any flaw in the MagicOne’s build quality. The 3D printed resin shells look beautiful and the look-through transparent material is eye-catchy.
Being a BA unit, there’s no dynamic driver inside and no pressure vents as a result.

The nozzle is of average size and the ear-facing side of the shell has a protruding wing which grants a more secure fit. Some will like the latter, some won’t, but I can say that even though I don’t usually like it, the MagicOne are so small that it ends up being very useful and helpful.

https://preview.redd.it/d37hx4aafd1c1.jpg?width=1000&format=pjpg&auto=webp&s=601cb2d123c448afecb9ae58399bafb67c86d44f

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CABLE

The stock cable is awesome: it’s solid, well built and flexible, and the pre-made hooks are comfortable. If one would want to be nitpicky, it’s not the most lightweight cable I could ask for, but this isn’t a real issue.
And yes, there’s a chin slider as well, which is mandatory at this price.

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COMFORT AND ISOLATION

The MagicOne fit like gloves in my ears, both because of their small shells and because the small protruding wing really helps me in finding a very secure fit. One would think that the fully closed design could lead to driver flex or similar issues, but this is not the case: the MagicOne don’t have any of these problems and they also insulate wonderfully from external noises (AFUL declares 26dB of passive isolation).

This is really one of the most comfortable and easy to fit IEMs I have tried in the last few years, period.

SOUND

GEAR USED FOR THE TEST

  • DAC: Topping E30
  • AMP: Topping L30
  • Mobile phones: Samsung Galaxy S7 Edge, Xiaomi Mi A3
  • Dongle: Apple Type-C dongle, Truthear SHIO
  • Portable DAPs: Benjie S8/AGPTEK M30B
  • Other sources: Presonus AudioBox iONE, ElGato Wave XLR

Do they need an amplifier?
The MagicOne are harder to drive than expected, and even though they won’t need a serious desktop amplifier to run well, they at least ask for a good dongle in order to properly shine.

Sound signature
The AFUL MagicOne are a neutrally tuned set with no particular boosts or dips. It’s basically a very balanced set that aims to suit many different genres.
The MagicOne really don’t sound like your average single BA affordable set, and in fact it’s not easy to guess if you do a blind test.

Lows: quality over quantity, definitely. The sub-bass doesn’t rumble and it cannot provide the visceral feeling which only a dynamic driver can be proud of, but it’s “there” in its leanest and controlled form (which is already a victory for a single full range BA).
The bass is very tight, fast, with good attack and speed, and despite the fact that it isn’t a very thick bass, it still provides nice textures and an enjoyable (yet controlled) kick.

Mids: the midrange isn’t recessed, instead it sounds very natural with frontal instruments and good layering capabilities. There isn’t a particular timbre direction and in fact it’s very hard to say if it’s better to listen to guitars, violins, and so on: just choose what you like and most of them will sound fine. Maybe, the upper midrange sounds slightly better due to the fact that the lower midrange usually needs more thickness to be a truly deep experience, but male vocals still sound very good given the kind of tuning.

Highs: the highs are not for treble sensitive people, but overall it’s a very nice and sparkling treble with a lot of details. The extension is not phenomenal, but this is a really great treble tuning that doesn’t become fatiguing thus still retaining the energy that one needs when listening to the sounds that play in that region.
I’m surprised that given all that happens in the lows and mids, this single full range BA still has space for a well done and detailed treble (moreover considering the price range and the overall package).

Soundstage is not out of your head, but everything is at its place and the MagicOne also surprise with a nice imaging and at pinpointing instruments on the stage.

I have also tried to use the MagicOne with the Divinus Velvet tips, but in my case I preferred the stock tips since they make the MagicOne more stable and secure in my ears.

https://preview.redd.it/fj5vzo6hfd1c1.jpg?width=1000&format=pjpg&auto=webp&s=f110273e42d89491646367fae917142ced30394d

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https://preview.redd.it/u993yo6hfd1c1.jpg?width=1000&format=pjpg&auto=webp&s=76f268684d55cc19a580b061da7a53eefc01bb6d

AFUL MagicOne vs Hisenior T2U​

The T2U were the predecessors of the more recent T2 Classic from Hisenior, featuring a double Knowles BA setup and a very unique signature.
Being very brief, the MagicOne destroy the T2U in almost every aspect, from fit to sound, from cable quality to the overall build quality.
The low-end is slightly fuller, the bass is less pillowy, the vocals sound more natural and the treble is more detailed and smoother. The T2U are less bright and warmer overall, but the MagicOne sound more open, with better imaging and excitement at the same time.
Everything is better on the MagicOne, and this is another proof that the driver count doesn’t always make a difference.

AFUL MagicOne vs Truthear Hexa​

The two are slightly different but at the same time they partially share the target since both go for a more analytical and less V-shaped approach than the competitors.
The Hexa are more focused on the sub-bass, whereas the MagicOne has a slightly more forward bass with tighter kickdrums. The lower midrange is more or less the same, even though the Hexa sound a bit deeper and warmer whereas the upper midrange is more energetic and forward on the MagicOne.
Treble is more sterile and a bit more extended on the Hexa, but the MagicOne are more detailed and resolving than the Hexa. Soundstage is wider and slightly deeper on the Hexa, but the imaging and layering capabilities are superior on the MagicOne.
Build quality and design are very good on both sets but the MagicOne appears like a more refined and premium product and they are also superior in terms of comfort and isolation on average. The stock cable of the Hexa is ages behind MagicOne’s provided cable.

FINAL THOUGHTS

The MagicOne were a surprise, and I mean a true surprise.
If I didn’t know they were single BA IEMs, I would have never guessed the configuration, since at first I thought it was a hybrid set.
The overall sound signature is not thin or lacking in one particular area, and the overall sound reproduced by this set is unique and surprisingly full. Sure, it’s not fair to ask for a very visceral low-end, but I was also hit by a responsive and satisfying bass that I wasn’t expecting to hear.

No hype, but these need to be tried.
Good job AFUL.