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A pendulum is a good way of looking at it. What you see in the Medieval period is, as an example, musicians writing more and more challenging lines to sing. Wider leaps, rapid-fire phrases…and this is how they show off their skills. You see this more in the secular music of the day, as the church is constantly pushing for sacred music that doesn’t call attention to itself. But, the backlash happens because while those complex, jagged lines might be lots of fun for the singer, not so much for the listener. And so begins a movement toward vocal lines that are easier on the ears - smoother, more melodic, easier to sing, which also lines up nicely with developments in counterpoint and polyphony that allow major forms like the motet to come into being.
And of course musicians, not being able to help themselves, start competing with each other to write more and more complex motets, which sparks another aesthetic backlash, and it all starts again.
This is a gross simplification of course but just to give you an idea how this all works.
Thanks for the follow-up!