this post was submitted on 27 Jul 2026
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TenForward: Where Every Vulcan Knows Your Name

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[โ€“] dustyData@lemmy.world 3 points 15 hours ago (1 children)

Dune is the number one counterexample.

Strong world building, faithful to the source, existential messages in line with with the original material's philosophy, social commentary that doesn't pander and respects the audience's intelligence. And on top of all of that, an academy awarded financial blockbuster.

It's just that, it takes a good film maker that actually understands and respects the source ethos.

[โ€“] AlteredEgo@lemmy.ml 1 points 14 hours ago

I think we're talking a bit past each other. Maybe there are stories that work as movies but not as TV, and some that work as TV but not as movies.

I think Star Trek has something inherently episodic with a Starship (or station) traveling the galaxy (or having the galaxy come to them) that does not translate to "lets make an epic movie story".

The other way it can probably work better. I kinda liked the Dune: Prophecy. It doesn't really "harm" the movie. Lots of TV shows for star wars too that do not harm the movies.

But a movie coming in an fundamentally altering the world building? For a single blockbuster? Killing Vulcan for epic scene? Great for a movie, sacrilege for the TV show.