this post was submitted on 20 Aug 2026
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[–] exasperation@lemmy.dbzer0.com 48 points 1 day ago (1 children)

Exactly.

There is real skill involved in photography, and it takes real time even after being skilled. A 1-hour shoot in a new location still requires probably an hour of planning, maybe an hour or two of logistics, and maybe 2-3 hours of work after the fact to get the photos processed and distributed. And it's basically the opportunity cost that will eat up the entire day, because you can't double book the same sunset or other lighting conditions or whatever. There's seasonality, too, if you want specific seasonal conditions in the shot, if you want to book the Saturday that other clients want, etc.

That's before expenses like insurance, the amortized cost of the software and hardware (including the cameras and lenses and computer), web services for distribution of the files, etc.

It's fair to charge a full day's fair pay for a job like that, and that might mean wanting to charge something like $1000 for an experienced photographer, maybe $500 of which actually represents "profit" for the sole proprietor. But that only happens at that price if there are clients willing to pay that price.

For bigger jobs like parties or weddings, it gets a bit more involved, which is why a 2- or 3-shooter wedding job can cost several thousand, or even above $10k.

But for easy jobs like anything in a high volume studio where the lighting is already known, and there aren't any logistics involved, it should be much cheaper. It just all depends.

[–] a_non_monotonic_function@lemmy.world 22 points 1 day ago (2 children)

I did a gig for a while doing Photoshop clean up of wedding images and portraits.

Just that one step can be an exceptional amount of work.

[–] kamen@lemmy.world 2 points 2 hours ago

That's why it's important to set expectations in advance. 50 images shot in the same setting and processed in bulk with maybe minor adjustments to each is something very different from 50 images that you have to touch up every single one.

[–] exasperation@lemmy.dbzer0.com 9 points 1 day ago (1 children)

Wedding images are challenging because venues, decor, wardrobe, etc., are chosen for real-world regular eyeball beauty. In darker settings (many churches, nighttime), or settings lit by bad lights for photography (fluorescent bulbs, LED bulbs without good wide spectrum light, random dance floor stuff), adds a lot of post processing work, and wedding clients tend to be very demanding clients (for good reason). It's all real work, well beyond what can be seen in the day-of interaction between photographer and client.

[–] a_non_monotonic_function@lemmy.world 5 points 1 day ago (1 children)

I would also highlight the sheer volume.

Somebody wants a few senior pictures taken or their kid in front of some toys and trees and stuff, and you could be dealing with a relatively manageable number.

Weddings take hours, often have dozens of people, and with everything being digital these days you can take a fuckton of photos to make sure that you capture everything possible.

[–] lechekaflan@lemmy.world 2 points 1 hour ago (1 children)

the sheer volume

Picking through hundreds or even thousands of shots and choosing about a few dozen good ones is, yeah, equally difficult.