this post was submitted on 01 Nov 2023
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Photography

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I work for a small agency/web design company as their main photographer. Well, their only, more or less.

I like my job, for the most part. We're only a small team of 4-5 people, and we don't have high status clients per se (mostly builders, roofing companies, medium tech retailers, small beauty brands and the like).

The agency is built with above all speed and efficiency. Basically, a lot of bang for the buck. We invoice the clients per hour, and many of them are used to low prices and very rapid delivery. Run n' Gun style of shooting is to put it lightly. To have a full day for something is a rare luxury.

Now I find myself needing some advice.

My boss has zoned in on the fact that he thinks our production and delivery pipeline is too long. Specifically the editing and delivery part.

We shoot in RAW for photo and V-log for video. He wants the customers to see pictures "right away", and preferably a short edit sample of video as well. Right away can mean doing it while travelling from the shoot, basically. He also wants everything (all files) uploaded to Google Drive after very shoot regardless of end time, and insists on giving all clients access to all files, regardless of their knowledge of raw or log-formats.

Naturally, we've had complaints from clients who look at the unedited raw material and thinks it's ugly/unfinished. I totally get this as most of them do not know anything about post processing, and can hardly take a decent mobile phone photo. Everything we deliver post edit and finished is usually praised and well received, especially the 'cinematics', colors, visuals etc.

Now, my boss has discovered the DJI Pocket 3. He believes it's the holy grail to our problems. He imagines it will take our projects from - for example, 3-6hrs (which can be a project for us, which would be including travelling to location, set up, shoot, editing, delivery etc) to 1-3hrs. So, my role would be to go out, capture video with the Pocket 3, and chop it up in my phone. No edits, no processing and bam, case closed.

As a professional photographer this... honestly makes me feel bad.

I already combat the hectic, "fast food" way of making productions as high quality as we can, even on low budgets. I break my back to make a company selling renovations or cleaning services look like a high end set commercial, all remote, often solo, with minimal planning and guidelines.

My boss is not a photographer, he has no knowledge of the field outside of being a pretty skilled drone pilot. If he's with me on a shoot he'll use a gopro to capture "usable material", which he imagines can be mixed with a Lumix S5iix straight out of camera. When we sometimes have disputes about the quality and editing times, he'll say most clients would be happy with the shorts he creates from the gopro and drone in YouCut on his phone. I think he believes this, but I also know a lot of our clients who look at it and say "that's nice" before waiting for the final product are probably just that, being nice.

So - long story short (sorry, guess I needed to vent a little): how do I talk to my non-photographer boss about all of this?

Am I being artsy, difficult and pretentious?

Is it wrong of me to want to have more time on shoots, more time in editing and use "proper gear" for focus, lighting, stabilisation etc?

Is he wrong for thinking that a Pocket 3 can replace a camera on the level of S5iix or FX3? Am I wrong for thinking it can't, at least fully?

Maybe most importantly - do you, as experienced photographers and videographers, have any thoughts or arguments I can bring to what I imagine might be a difficult subject to discuss?

My boss is a nice enough person (if very stubborn), I don't hold any grudges and I'd like to keep my job (at least for now), but I also feel more and more constrained and limited by the mentality and stress. We are absolutely not a Peter McKinnon outfit or high end studio working with RED cameras, 1000$ lenses or huge sets, but... I don't know. I kind of got into this wanting to make something more than "fast content".

Thanks for reading 📸❤️

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[–] IndysWarmest@alien.top 1 points 1 year ago (1 children)

Howdy! I have substantial experience in a situation like this as this was the last year of my career.

I’ll give you the TLDR first: looking for a new employer or building yourself up for freelance if this style of work isn’t for you.

My boss was the exact same, wanting things done fast and cheap, no actual video production experience, and cared more about his sales pitch (which he wears a $250 suit from Macys for) and literally hounding clients for Google reviews than the product we were creating. It’s exhausting from a creative standpoint and annoying from a client stand point knowing you can produce good work but being forced to create mediocre non-sense because hey, roofing company #1248 needs it for social NOW (the content will drive $0 in sales and be viewed by 14 people).

I’ve also notice a large uptick in sales/marketing/no production/non-creative experience (and no, basic drone shots are not creative by themselves) guys making web/content studios that cater to the absolute bottom tier clients because it is easy to make a quick buck. To put it bluntly, they’re annoying and a dime a dozen.

If you want to avoid freelance, chase after production houses/studios you actually enjoy work from, reach out to other photographers to shadow or assist and overall don’t let someone like that stifle your creativity and make you feel jaded, it’s not a fun time.

[–] Traditional-Fix5145@alien.top 1 points 1 year ago

This was heartening and helpful 🙏 Thanks for giving a perspective towards the creative side, because just like you said, some days you stand there with roofing company nr. 47 and just wonder what you're doing with your time.