this post was submitted on 15 Nov 2023
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Both of those Nikon lenses are kit glass, so they're going to be 3.5-5.6 or so.... dynamic across the focal range. 3.5 at the wide end and 5.6 at the long end - give or take a stop, but I'm pretty sure that's accurate.
Not ideal for a concert really but if they (op) stretches the ISO out and manages to get the exposure without running the shutter down too slow, might end up with a few keepers.
Thanks for the information! Most of what I know about concert photography is from Todd Owyoung's site and talking with other photographers at venues. Shot for about a year on my f4 24-120mm kit lens that came with my D750 until I could scrape together enough for a Tamron f2.8 70-200mm since it was way less than the Nikon one.
Shot a 3-day festival with multiple stages using just my 70-200mm in the middle of summer and did okay. At least with a daytime outdoor stage, having a wide aperture won't matter as much as it will with an indoor or nighttime performance in my experience.