this post was submitted on 23 Nov 2023
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Photography
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Over a decade ago I went on a night hike on New Year’s Eve, in the wilderness, under the light of the moon. It was cold, foggy, and lightly snowing.
I wanted to bring a camera, but the only camera that would comfortably fit under my jacket was my old Nikon D40, with a 35 mm f/1.8 lens. Even back in those days the D40 was not considered all that great of a camera in low light. It was a cheap camera when I purchased it, and had very little value at the time of the shoot.
My solution was not to be worried at all about noise but instead try to get any photo that would capture my impression of the scene. I did use a monopod that would allow a longer shutter duration of ¼ second, and I set ISO as high as I could while still getting a usable image.
Sometimes I converted the image to monochrome:
https://flic.kr/p/dHhDVH
https://flic.kr/p/dHo5qm
https://flic.kr/p/dHo5j1
Other times I just underexposed:
https://flic.kr/p/dHo5EL
I thought they turned out OK, in a very impressionistic, rough but memorable manner. I didn’t attempt portraits, but you wouldn’t even see hardly much of anyone’s face in this situation.
It’s possible to get very good monochrome photos from even extremely underexposed raw files via a special technique: extract the raw, mostly unprocessed color channels from the file and sum them together. This bypasses the color processing which adds a considerable amount of noise.