Are you not counting claymation? Because i'm sure that Wallace and grommit would like a word.
this post was submitted on 05 Jun 2026
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Aren't all artists dependent of some rich guys or rich guy's wifes?
I saw an art exhibition recently, I am not able to buy a 200€ pillow.
Me when people forget about Wallace and Gromit.
Would you like a spot of wensleydale old chum?
Speaking of propping things up - Wensleydale were propped up by Wallace & Gromit.
Yes I heard they were failing until they got the free advertising. Me I'm a Y Fenni fan.
Yeah because the truth is it's actually pretty rubbish cheese. I'm allowed to say that, you can't, but I can.
Lancashire is generally the better white crumbly, but there are certainly good examples of both
Yarg best cheese or a blue west country Brie.
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What do you mean „financially successful“? The movie Kubo from 2016 had more revenue than budget. Is that not successful?
It is a damn good movie btw.
https://bombreport.com/yearly-breakdowns/2016-2/kubo-and-the-two-strings/
Breakdown here.
No, it was a loss.
Isn't that standard Hollywood accounting?
E.g. Return of the Jedi never made a profit either, on paper
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Ah, so basically Marketing is not included in the budget. And theaters take a big cut from the revenue.
Yep. Things we normally don't look at when budget to revenue conversations happen.
Sounds like the type of things normal dudes say when asked what they'd do if they won the lottery. Maybe Travis is a normal dude under the nepotism?
I think that's what the last section of the post was referencing
yeah, the
reminiscent of how artists previously would be financially supported by wealthy benefactors.
i need to find myself a wealthy benefactor who likes [music form not appreciated outside one town in the eastern US and i like where i live dammit]
i heard about this on a podcast. it is great news for stop-motion, and considering how many shitty rich people there are, it's nice to know there's a couple good ones promoting art.
Also their movies are good and all but one of their movies made tens of millions of dollars.
for stop-motion, a very niche art-form, making 10-130 million dollars profit per film is laudable.
went too big with missing link though, which i haven't seen yet.
breaking even with stop motion is laudable. because like we won awards with our films but i think we earned like 5 grand total. we spent way more than that over the years on tacos for the crew alone.
Exactly, making $100 million profit on stop-motion is like feverishly, lovingly crafting a bespoke hot air balloon with a thousand discarded model airplane kits and then realizing you've somehow survived landing on the moon.
I don't know if motion animation is the same as other types of films, but for most of the industry you need box office sales to be double of the film budget for it to be considered profitable. Mainly due to marketing budgets and the huge percentage of profit that theaters get for the first few weeks of a film's release.
I would have to think no stop motion film is spending anything near that much on marketing. I've never even heard of a few of these. That double rule seems more applicable to big summer blockbusters.
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Funny timing I just saw a trailer for Wildwood and it looks SICK
i don't know the full story but iirc that was how the band Supertramp stayed afloat until they were successful, patronage from some rich guy
Aardman also produces stop-motion, so it is untrue that Laika is alone.
Not such a positive story for Will Vinton, who had a hostile takeover of his studio, and then was fired and replaced by the new owner’s son.
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I mean at least he's doing something productive with his wealth. That puts him insanely far ahead of most wealth babies.
Aardman Animations: excuse me?
'Propping up the stop motion film industry' is quite the statement. Aardman Animaton has been releasing feature length stop motion movies since 2000 and all have done very well. Also Laika only worked on Corpse Bride of Tim Burton's multiple very successful stop motion movies.
wait what.
oh whew i thought you were talking about my buddy who used to be at Will Vinton. he's not rich.
I liked Kubo and the Two Strings a lot.
However, Mathew McConaughey? He was a very strange choice for voice talent in that film. It did not fit the aesthetic at all, he stuck out like a sore thumb. That southern drawl thing he's got in a movie that has primarily Asian characters? Well all right all right all right.
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If I had that dude's wealth I would be putting so many artists on my payroll.
It sounds like he is.
I don't get the negative comments, dude could have multiplied his wealth with some good real estate investments and milk tenants for the rest of his life, instead he chose to hire some artists in a dying industry. What a terrible thing to do when you're born rich.
I've worked for a few big CEOs kids, they're a bit fucked in the head because they really don't have to do anything ever. The ones I met seemed to be lounge around hippies who travelled to festivals when they felt like it. I walked one kid through his mothers offices while he picked out furniture he wanted for the house he's just gotten in a trendy part of town. Many thousands of dollar pieces of corporate furniture that he could pick and choose from.
So the Kid of Mr Nike helping keep stop motion alive is cool with me. I really liked "Strings" but I'm not sure if this guy is involved.
Isn't Aardman (shaun the sheep, wallace & gromit) still consistently put out stopmotion? Or are they just cheating the visual style with 3d animation?
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Did he fall far away from that shit family tree, or does he have his dad's politics?
In a non-cap society, do stop motion movies still get created by enthusiasts?
I think so.
Wes Anderson put out a wildly successful stop motion picture in 2009.
Consistently, sure, but that doesn’t actually mean it’s dead.
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this is actually a positive story, and reminiscent of how artists previously would be financially supported by wealthy benefactors
Idk that sounds profoundly negative to me lmao
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